Back To The Promised Land - Behind Remix
Exit Way, Manola, Massimo Morini
Back To The Promised Land (Massimo Morini Remixes)
4:46 March 10, 1996
BPM
155
Key
D Major
Camelot
10B

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Back To The Promised Land - Behind Remix by Exit Way, Manola, Massimo Morini Song Details

Exit Way, Manola, Massimo Morini's ' "Back To The Promised Land - Behind Remix" was released on its scheduled release date, March 10, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 4 in Back To The Promised Land (Massimo Morini Remixes) by Exit Way, Manola, Massimo Morini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Back To The Promised Land - Behind Remix's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

The tempo marking of Back To The Promised Land - Behind Remix by Exit Way, Manola, Massimo Morini is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.

Music Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.992 dB
Acousticness
3%
Danceability
66%
Energy
91%
Instrumentalness
82%
Liveness
11%
Loudness
90%
Speechiness
4%
Valence
42%

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ISRC
ITLQR2407806
Label
L-M Records/RCA Records