"Not A Beau For Miles - Instrumental" by Patrick Doyle, Robert Ziegler, Tony Hymas had its release date on December 12, 1995. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Sense & Sensibility - Original Motion Picture Soundtrack". In this album, this song's track order is #6. Not A Beau For Miles - Instrumental is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Not A Beau For Miles - Instrumental by Patrick Doyle, Robert Ziegler, Tony Hymas having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Austerlitz | Jan A.P. Kaczmarek | D♭ Major | 3 | 3B | 179 BPM | ||
| No Tears | Anne Dudley | B Major | 1 | 1B | 115 BPM | ||
| Crossroads | Randy Edelman | C Major | 1 | 8B | 131 BPM | ||
| Ella and Kit | Patrick Doyle | D Major | 0 | 10B | 78 BPM | ||
| Brideshead Revisited: No. 2, Memory | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| The World Has Left Us Behind | Samuel Sim | G Major | 0 | 9B | 66 BPM | ||
| It's Snowing and Heavily | Samuel Sim | G Minor | 1 | 6A | 77 BPM | ||
| What American Women Say | Christophe Beck | G Major | 1 | 9B | 110 BPM | ||
| Walking On Water | George Fenton | B♭ Major | 0 | 6B | 79 BPM | ||
| We Shall Have Our Ball | Isobel Waller-Bridge, David Schweitzer | G Major | 2 | 9B | 102 BPM | ||
| Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM | ||
| From Paris to the Aquaduct | Peter Gregson | A♭ Major | 0 | 4B | 65 BPM | ||
| To Italy for a Kiss (From "Return to Me") | Nicholas Pike | B Minor | 0 | 10A | 77 BPM | ||
| Far from the Madding Crowd Love Theme | Craig Armstrong | A Minor | 3 | 8A | 87 BPM | ||
| The Promise of Things to Come | Jan A.P. Kaczmarek | C Major | 4 | 8B | 87 BPM | ||
| Secret Toast And Jam | Patrick Doyle | C Major | 0 | 8B | 85 BPM | ||
| Willoughby | Patrick Doyle, Robert Ziegler, Tony Hymas, Jonathan Snowdon, Robert Hill, Richard Morgan | D♭ Minor | 4 | 12A | 113 BPM | ||
| Without Suspicion | Samuel Sim | E Minor | 1 | 9A | 78 BPM | ||
| The Calm Before the Storm | David Arnold | G Minor | 0 | 6A | 91 BPM | ||
| Poldark Prelude | Anne Dudley, Lang Lang | A♭ Major | 0 | 4B | 164 BPM | ||
| Brideshead Revisited: No. 22, Clouds Gathered | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E Minor | 1 | 9A | 79 BPM | ||
| Creating The Inn | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A♭ Major | 2 | 4B | 91 BPM | ||
| Meadows | Javier Navarrete | B Minor | 1 | 10A | 64 BPM | ||
| Tema di Jane | Claudio Capponi, Alessio Vlad | D Major | 2 | 10B | 82 BPM |