Bill Anschell's 'The Following Week' had a release date set for January 19, 2024. This song is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in Bill Anschell's "Improbable Solutions" album is number 7 out of 9. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Following Week is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Following Week by Bill Anschell to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| April in Paris | Armel Dupas Trio | G Major | 2 | 9B | 82 BPM | ||
| Isn't It Romantic | Saginaw Society | C Minor | 2 | 5A | 126 BPM | ||
| Nocturne in Aqua | Azure Ensemble | C Major | 4 | 8B | 97 BPM | ||
| Keep Talking | Tom Bates | F Major | 4 | 7B | 82 BPM | ||
| Sonic Collage | Broken Stereo Club | G Minor | 1 | 6A | 173 BPM | ||
| Herebia | Nuvole | F Major | 1 | 7B | 78 BPM | ||
| Cascading | Moss & Marrow | C Major | 2 | 8B | 70 BPM | ||
| Dear Old Stockholm | Bill Anschell | D Major | 3 | 10B | 109 BPM | ||
| Tommaso | Massimo Faraò | C Major | 2 | 8B | 129 BPM | ||
| The Quiet Around Us | Bill Anschell | G Major | 6 | 9B | 105 BPM | ||
| Stable Museum | Mono Noir Jazz | A♭ Major | 6 | 4B | 75 BPM | ||
| Courthouse Canteen | Mono Noir Jazz | C Minor | 5 | 5A | 100 BPM | ||
| Cinema Paradiso (From "Cinema Paradiso") | La Famiglia | A Minor | 2 | 8A | 62 BPM | ||
| The Sky Softly Weeps | Bill Anschell | G Minor | 1 | 6A | 79 BPM | ||
| Alone Together | Geeder | D Minor | 1 | 7A | 78 BPM | ||
| It's Me Again | Denzel Sachs | F Major | 1 | 7B | 120 BPM | ||
| Smooth Jazz Background | Work & Jazz | C Major | 0 | 8B | 98 BPM | ||
| Warm Hands, Cold Air | Silk & Satin Jazz Collective | F Major | 4 | 7B | 82 BPM | ||
| Donde el silencio suena mejor | Nach | F Major | 4 | 7B | 82 BPM | ||
| Holiday Fun | Nick Osman Trio | F Minor | 2 | 4A | 118 BPM | ||
| Finding a way | James Earle Trio | B♭ Major | 2 | 6B | 119 BPM | ||
| You fooled me again | Benji Strings | F Major | 4 | 7B | 82 BPM | ||
| Grandeur | Fred Hayes | A♭ Major | 1 | 4B | 94 BPM | ||
| Rain on 52nd Street | Blue Quartet | F Major | 4 | 7B | 82 BPM | ||
| A Última Canção | Karl-Erik Trio | A♭ Major | 2 | 4B | 94 BPM |