"The Hunted" by David Buckley had its release date on November 5, 2013. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. The Hunted's duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 35 in Call of Duty: Ghosts (Original Game Soundtrack) by David Buckley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Hunted's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Hunted by David Buckley is Allegro (fast, quick, and bright), since this song has a tempo of 156 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Under Assault | Tilman Sillescu | B Minor | 5 | 10A | 132 BPM | ||
| Wasteland 3 Opening | Mark Morgan | D♭ Major | 4 | 3B | 100 BPM | ||
| Jack Final Boss - Original OST | Sascha Dikiciyan, Cris Velasco | D Major | 3 | 10B | 162 BPM | ||
| Deportation | Ryan Amon | D♭ Major | 6 | 3B | 130 BPM | ||
| Beginning | Gustaf Grefberg, Sam Hulick | F Major | 0 | 7B | 69 BPM | ||
| Burn Them Out | Lorne Balfe | B♭ Major | 7 | 6B | 165 BPM | ||
| New Heaven, New Earth | Ryan Amon | D♭ Major | 4 | 3B | 140 BPM | ||
| Welcome to the Trash Coast | Raison Varner | D♭ Major | 6 | 3B | 130 BPM | ||
| The Wolves' Den | Wilbert Roget, II | G Major | 2 | 9B | 78 BPM | ||
| Got Yourself Locked Up? | Mike Zarin, Tony Hajjar | C Major | 6 | 8B | 176 BPM | ||
| Legends Never Die | David Buckley | D Minor | 3 | 7A | 150 BPM | ||
| District Activities | Bear McCreary, Assassin's Creed | E Minor | 6 | 9A | 112 BPM | ||
| Resonance | Joel Nielsen | C Minor | 2 | 5A | 85 BPM | ||
| Hiring Bodyguards | Paul Leonard-Morgan | G Minor | 3 | 6A | 96 BPM | ||
| The Warmongers | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Where There Is Darkness | Paul Leonard-Morgan | A Major | 4 | 11B | 128 BPM | ||
| The Eyes Move Out | Marc Canham | B♭ Minor | 5 | 3A | 100 BPM | ||
| A Whisper | Petri Alanko | B♭ Minor | 1 | 3A | 120 BPM | ||
| Papers, Please | Mick Gordon | F♯ Major | 1 | 2B | 146 BPM | ||
| Welcome to the Bloody First | Wilbert Roget, II | F♯ Minor | 2 | 11A | 177 BPM | ||
| Secrets of Golem Island | Alain Johannes, Alessandro Cortini, Norm Block | C Major | 2 | 8B | 70 BPM | ||
| I Want You To Remember The One Man Who Beat You | Christopher Drake | D Minor | 4 | 7A | 133 BPM | ||
| Mars | Sam Hulick | E♭ Major | 5 | 5B | 120 BPM | ||
| The Revelation | Lorne Balfe, Assassin's Creed | G Minor | 2 | 6A | 78 BPM | ||
| Santa Monica Beach Invasion | David Buckley | C Minor | 4 | 5A | 140 BPM |