Sylvia Plath's 'Tulips' had a release date set for October 6, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Sylvia Plath Reads Her Poems and Commentary: 1960-1963". In this album, this song's track order is #14. Based on our statistics, Tulips's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Tulips by Sylvia Plath having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slaughterhouse 5, Pt. 10 | Kurt Vonnegut | F Major | 1 | 7B | 87 BPM | ||
| Intro to The Haunted and the Hunters | Alfred Hitchcock | A Minor | 0 | 8A | 107 BPM | ||
| Peaceful Funs | paylindahbruk | E♭ Minor | 0 | 2A | 138 BPM | ||
| The One Who Stayed | Shel Silverstein | G Major | 1 | 9B | 35 BPM | ||
| Bedford Falls | Chris Barrie | A♭ Minor | 1 | 1A | 78 BPM | ||
| Night of the Vikings, Pt. 6 | Paul the Dreamtraveler | D Major | 1 | 10B | 59 BPM | ||
| The Moon Was A Fat Woman Once | Sylvia Plath | G Major | 0 | 9B | 169 BPM | ||
| The Love Song of J. Alfred Prufrock | T. S. Eliot | C Major | 1 | 8B | 101 BPM | ||
| A Psalm of Life | Henry Wadsworth Longfellow, Jasper Britton | D♭ Major | 1 | 3B | 56 BPM | ||
| If | Rudyard Kipling, Ralph Fiennes | F Minor | 1 | 4A | 106 BPM | ||
| Amnesiac | Sylvia Plath | B Minor | 2 | 10A | 84 BPM | ||
| Trixie La Bouche | Chris Barrie | B♭ Minor | 0 | 3A | 82 BPM | ||
| Taken My Heart | ShowBoy | G Major | 1 | 9B | 112 BPM | ||
| In Flanders Fields (Piano and Poetry) | Poella | F Minor | 1 | 4A | 87 BPM | ||
| DONT BE LEFT BEHIND | DIVINELY APPOINTED | F♯ Major | 0 | 2B | 110 BPM | ||
| The Ruined Maid | Various Artists | F Major | 4 | 7B | 122 BPM | ||
| The Sonnets: Sonnet 1: From Fairest Creatures We Desire Increase | William Shakespeare, Margaret Howard, Bernard Palmer | E Minor | 1 | 9A | 98 BPM | ||
| Slaughterhouse 5, Pt. 1 | Kurt Vonnegut | F Minor | 1 | 4A | 76 BPM | ||
| Charlie Parker (with Steve Allen) | Jack Kerouac | F Major | 2 | 7B | 123 BPM | ||
| Experiencing Infinity | Eckhart Tolle | B Major | 1 | 1B | 112 BPM | ||
| Bowery Blues (with Steve Allen) | Jack Kerouac | F Minor | 2 | 4A | 84 BPM | ||
| Dance At the Palace, Pt. 3 | Paul the Dreamtraveler | F Minor | 3 | 4A | 123 BPM | ||
| Teil 1 - Kasperle und der Räuber Plumps | Kasperle, Peter Jacob, Kasperle-Theater "bi-ba-bo" | D♭ Major | 3 | 3B | 82 BPM | ||
| San Francisco Scene - The Beat Generation | Jack Kerouac | C Major | 7 | 8B | 110 BPM | ||
| Chapter 11: Full Moon Over Falkenstein | Bibi and Tina | A Major | 2 | 11B | 97 BPM |