Alma Cogan's 'Eight Days a Week' had a release date set for 1998. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 12 in Alma by Alma Cogan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Eight Days a Week is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eight Days a Week by Alma Cogan is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pretty Little Black-Eyed Susie | Guy Mitchell | C Major | 5 | 8B | 201 BPM | ||
| We Are Not Alone | Frankie Vaughan | C Minor | 6 | 5A | 112 BPM | ||
| Day in Day Out | Alford Beier | D Major | 5 | 10B | 100 BPM | ||
| How Do You Do It? | Gerry & The Pacemakers | A Major | 6 | 11B | 142 BPM | ||
| The Ballad of Bonnie & Clyde | Georgie Fame | G Major | 3 | 9B | 106 BPM | ||
| It Only Took A Minute | Joe Brown, The Bruvvers | F♯ Minor | 7 | 11A | 164 BPM | ||
| Hotta Chocolatta | Ella Fitzgerald | D♭ Major | 5 | 3B | 121 BPM | ||
| You're Sixteen | Johnny Burnette | D Major | 5 | 10B | 76 BPM | ||
| Moon-Light Swim | Tony Perkins | F Minor | 2 | 4A | 97 BPM | ||
| The River (Le Colline Sono in Fiore) | Ken Dodd | C Major | 4 | 8B | 166 BPM | ||
| Someone Else's Baby | Adam Faith | C Minor | 3 | 5A | 80 BPM | ||
| Breaking up Is Hard to Do | Little Eva | C Major | 5 | 8B | 116 BPM | ||
| Down by the Riverside | The Four Lads | G Major | 5 | 9B | 91 BPM | ||
| Still | Ken Dodd | E♭ Major | 3 | 5B | 90 BPM | ||
| Bangers and Mash | Peter Sellers, Sophia Loren | D♭ Major | 2 | 3B | 124 BPM | ||
| Cloud Lucky Seven | Guy Mitchell | C Major | 3 | 8B | 156 BPM | ||
| Old Lang Syne | The Ted Heath Orchestra | C Major | 2 | 8B | 174 BPM | ||
| Dream Talk | Alma Cogan | B♭ Major | 3 | 6B | 103 BPM | ||
| The Special Years | Val Doonican | G Major | 3 | 9B | 99 BPM | ||
| Come into My Heart | Ruby Murray | A Major | 1 | 11B | 175 BPM | ||
| Ramona | The Bachelors | E Major | 4 | 12B | 114 BPM | ||
| Sea Of Love | Marty Wilde | G Major | 4 | 9B | 85 BPM | ||
| Well I Ask You | Eden Kane | C Major | 7 | 8B | 120 BPM | ||
| Memories Are Made Of This | Gale Storm | C Major | 5 | 8B | 136 BPM | ||
| SWEET TALKIN’ GUY | The Chiffons | E Major | 7 | 12B | 116 BPM |