Ines Cuello's ' "Tu Pálida Voz" was released on its scheduled release date, September 15, 2011. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Sueño De Juventud". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Argentina. In terms of popularity, Tu Pálida Voz is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tu Pálida Voz by Ines Cuello having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gato de Mandolín | Orquesta Típica Misteriosa Buenos Aires | G Minor | 6 | 6A | 101 BPM | ||
| Zamba azul | Mery Murua | F♯ Minor | 1 | 11A | 72 BPM | ||
| Mi Ciudad Y Mi Gente | Eladia Blazquez | F♯ Minor | 5 | 11A | 130 BPM | ||
| Mi Espíritu Se Fue | Spinettango | E Minor | 4 | 9A | 111 BPM | ||
| La Copla Triste | María y Cosecha | E Minor | 5 | 9A | 140 BPM | ||
| Afiches | Omar Mollo | C Minor | 6 | 5A | 111 BPM | ||
| La Canción De Buenos Aires | Maria Graña | G Major | 4 | 9B | 117 BPM | ||
| Solos y Juntos | Laura Canoura | C Major | 4 | 8B | 80 BPM | ||
| Enero | Luciana Scherbosky | E Minor | 1 | 9A | 130 BPM | ||
| Hasta siempre amor | Orquesta Típica Misteriosa Buenos Aires | A Minor | 3 | 8A | 67 BPM | ||
| Vamos corazón | Noelia Sinkunas, Daniela Herrero | D Minor | 4 | 7A | 108 BPM | ||
| 11 y 6 | Mariana Mazú | B♭ Major | 2 | 6B | 84 BPM | ||
| Padre (Elegía) | Jorge Fandermole, Fernando Silva | G Minor | 1 | 6A | 168 BPM | ||
| Catarsis | Paula Dordolo | C Major | 2 | 8B | 126 BPM | ||
| Qué Te Importa Que Te Llore | Soledad Villamil | G Major | 4 | 9B | 90 BPM | ||
| Milonga Triste | Ines Cuello, Martha Humbert Dunoyer, Santiago Vera Candioti | B Minor | 0 | 10A | 77 BPM | ||
| Los Ejecutivos | Tita Merello | D Major | 3 | 10B | 75 BPM | ||
| Piano bar | Lucho Sellan, Mária Marzialetti | E Major | 1 | 12B | 114 BPM | ||
| Tormento | Mariana Mazú | E Major | 6 | 12B | 200 BPM | ||
| Melodia de arrabal | Nelly Omar | D Major | 5 | 10B | 121 BPM | ||
| A Media Luz | Francis Andreu | G Major | 5 | 9B | 116 BPM | ||
| Pucherito de gallina | Rodrigo de la Serna y El Yotivenco | F♯ Major | 2 | 2B | 125 BPM | ||
| No Es No | Leandro Airala | A Minor | 3 | 8A | 118 BPM | ||
| Ansiedad | Soledad Villamil | E Major | 3 | 12B | 130 BPM | ||
| Tonada para Dos Tristezas | Cecilia Todd | A Minor | 1 | 8A | 165 BPM |