Shikha Rana's ' "Karpoor Gauram Karunavtaram" was released on its scheduled release date, March 6, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Karpoor Gauram Karunavtaram and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. The popularity of Karpoor Gauram Karunavtaram is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Karpoor Gauram Karunavtaram by Shikha Rana to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mai Pehla Pati Chhor Aayi | Shikha Rana | F♯ Minor | 9 | 11A | 112 BPM | ||
| Namoh Hari Aanand | Sudhanshu, Sarita Joshi | A♭ Major | 8 | 4B | 80 BPM | ||
| Parshvanath Stuti - Tumse Lagi Lagan | Arohi Anil Agarkar, Ragreshree Anil Agarkar | C Major | 3 | 8B | 125 BPM | ||
| Maa Bhervi Bhavtarini | Dev Ranjan Giri | B♭ Minor | 3 | 3A | 124 BPM | ||
| Satuguru Tu Mukhada Na Modein | Kanishka Negi, Nikkhil Beri | F Major | 5 | 7B | 126 BPM | ||
| Krishna Manamohana | Nishtha Keshav | D Minor | 5 | 7A | 96 BPM | ||
| Morpankh Wala Mil Gaya | Shikha Rana | A♭ Minor | 5 | 1A | 140 BPM | ||
| Shyam Jai Jai | Anup Jalota | C Minor | 6 | 5A | 152 BPM | ||
| Ran Mein Garaj Rahi Maa Kaali | Sanjo Baghel | D Minor | 8 | 7A | 169 BPM | ||
| Kansa Vadh Sanskaran | Ravindra Jain, Anup Jalota | B♭ Minor | 6 | 3A | 92 BPM | ||
| Ek Pal Hansna Ek Pal Rona Kaisa Hai Jivan | Mharo Bhai, Paru Rabari | F♯ Major | 4 | 2B | 112 BPM | ||
| Mahavidya | Sargam Vaish | G Minor | 4 | 6A | 180 BPM | ||
| Tera Ram Jee Karenge Beda Paar | Dhiraj Kant | E Minor | 8 | 9A | 92 BPM | ||
| Mera har rom kehta hai | Hritik Jain | G Major | 9 | 9B | 103 BPM | ||
| Bhole Tere Deewane | Shekhar Jaiswal | A♭ Major | 8 | 4B | 100 BPM | ||
| 02- Ram Katha | Swami Rajeshwaranand Saraswati Maharaj | C Minor | 9 | 5A | 118 BPM | ||
| Hey Shyam | Anup Jalota | C Minor | 6 | 5A | 152 BPM | ||
| Nanaakta Asum Asum Background | Sorri Senjam | D♭ Major | 2 | 3B | 156 BPM | ||
| Hari Ham Kab Honge Brijwasi | Pujya Shri Indresh Ji Maharaj | Indresh Ji Bhajan | Pujya Shri Indresh Ji Maharaj | E♭ Minor | 8 | 2A | 118 BPM | ||
| Om Shri Shyam Devay Namah | Anjali Singh Rathor, Ananta Mantra jaap, Premanand Maharaj | G Major | 5 | 9B | 200 BPM | ||
| Rudra Roop Kailashpati - Hindi | Kaali, Harry, Shikha Rana | D♭ Major | 2 | 3B | 120 BPM | ||
| Shree Ram Mere Man Main | Anup Jalota, Kumaar, Sushant Shankar | A♭ Major | 9 | 4B | 89 BPM | ||
| Chalo Shirdi Nagar Jayenge (Live) | Jayesh Parab | F♯ Major | 7 | 2B | 103 BPM | ||
| Hanuman Chalisa: Aise Hamare Ram | Gauri Madhurie | E♭ Major | 6 | 5B | 185 BPM | ||
| Kaun Uttare Paar | SRMD Bhakti | F Minor | 3 | 4A | 88 BPM |