zebrahead's ' "Morse Code for Suckers" was released on its scheduled release date, August 5, 2008. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Phoenix". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Morse Code for Suckers's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Morse Code for Suckers by zebrahead having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lay Me To Rest | zebrahead | B♭ Minor | 10 | 3A | 195 BPM | ||
| Bent but Not Broken | Face To Face | F♯ Minor | 10 | 11A | 139 BPM | ||
| Dance Till We Die (Bonus Track) | Patent Pending | B♭ Major | 8 | 6B | 150 BPM | ||
| Golden Showers in the Golden State | Tom DeLonge | B Major | 10 | 1B | 168 BPM | ||
| Welcome to Oblivion | Madina Lake | E♭ Major | 10 | 5B | 151 BPM | ||
| Majoring in Minors | Sugarcult | A♭ Major | 9 | 4B | 158 BPM | ||
| Half-Truism | The Offspring | G Major | 9 | 9B | 144 BPM | ||
| Where Have You Been? | Reel Big Fish | C Major | 9 | 8B | 197 BPM | ||
| Take It All | Runaway Kids | B Minor | 10 | 10A | 147 BPM | ||
| Don't Bury Me...I'm Still Not Dead Yet | Riverboat Gamblers | E Major | 9 | 12B | 175 BPM | ||
| Radio Up | Letter Kills | D♭ Major | 10 | 3B | 185 BPM | ||
| Try Honesty | Billy Talent | F♯ Minor | 10 | 11A | 157 BPM | ||
| 100 Proof | 88 Fingers Louie | F Major | 10 | 7B | 116 BPM | ||
| Whatever Happened To The 80s | Donots | B♭ Major | 10 | 6B | 157 BPM | ||
| In The Headlights (It Is Grey) | The Decline | B♭ Minor | 10 | 3A | 142 BPM | ||
| Get Up | Unwritten Law | D♭ Major | 10 | 3B | 155 BPM | ||
| Homesick for Hope | zebrahead | F♯ Major | 10 | 2B | 185 BPM | ||
| Apologies and Alibis | Smile And Burn | F♯ Minor | 9 | 11A | 97 BPM | ||
| So Long, Astoria | The Ataris | D Major | 10 | 10B | 182 BPM | ||
| Lie Baby, Lie | 3 Feet Smaller | A Major | 7 | 11B | 154 BPM | ||
| Afraid of Heights | Billy Talent | A Minor | 10 | 8A | 150 BPM | ||
| Lemon-Aid | Gob | B Major | 10 | 1B | 173 BPM | ||
| Kiss Kiss Bang Bang | The Subways | A♭ Major | 9 | 4B | 166 BPM | ||
| Chelsea | Dragged Under | D♭ Minor | 10 | 12A | 155 BPM | ||
| President Of Boarderland | Glow | G Major | 9 | 9B | 105 BPM |