Ron Jones's 'The Neutral Zone: Romulan Encounter' had a release date set for February 16, 2011. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Star Trek: The Next Generation, 4: Skin of Evil/We'll Always Have Paris/The Neutral Zone". In this album, this song's track order is #30. Furthermore, we believe that the track originated from United States. Based on our statistics, The Neutral Zone: Romulan Encounter's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Neutral Zone: Romulan Encounter by Ron Jones having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Batman on Top of Church / Stromwell Arrives at Pete's / Thugs - From The Episode "It's Never Too Late" | Lolita Ritmanis | A Minor | 0 | 8A | 80 BPM | ||
| Xizor's Theme | Joel McNeely, Royal Scottish National Orchestra, Royal Scottish National Orchestra and Chorus | A♭ Major | 2 | 4B | 177 BPM | ||
| Caspar Laid Out | Carter Burwell | C Major | 1 | 8B | 67 BPM | ||
| Follow That Nun | Gordy Haab | E♭ Major | 2 | 5B | 76 BPM | ||
| The Search for Eckhardt | Peter Connelly, Martin Iveson | B♭ Major | 1 | 6B | 84 BPM | ||
| Lumina | Aurora Crescendo | G Major | 4 | 9B | 122 BPM | ||
| Portent - Zodiac Age Version | 崎元仁 | F Major | 1 | 7B | 91 BPM | ||
| The Accused | Peter Connelly, Martin Iveson | A♭ Major | 0 | 4B | 165 BPM | ||
| Sub-Main Title / Stromwell's Flashback - From The Episode "It's Never Too Late | Lolita Ritmanis | A♭ Major | 1 | 4B | 85 BPM | ||
| Suite From The Visitor - Second Chance | Various Artists | F Major | 1 | 7B | 78 BPM | ||
| Emperors [The Blue Planet - Music for the BBC TV Series] | George Fenton, BBC Concert Orchestra | D♭ Major | 2 | 3B | 79 BPM | ||
| 中華會館 (Instrumental) | Kenji Kawai | C Major | 0 | 8B | 176 BPM | ||
| The Karakorum | George Fenton | B♭ Minor | 1 | 3A | 84 BPM | ||
| A Soft Breath | Rito Orada | G Major | 2 | 9B | 83 BPM | ||
| Kind | Valhalla Orquestra, Bill Mac Rooyen | A♭ Major | 1 | 4B | 126 BPM | ||
| 11001001: Isn't It Romantic (Rodgers/Hart) | Ron Jones | E♭ Major | 2 | 5B | 70 BPM | ||
| 乗組員の行進〜ヤマト発進 F-4 | 宮川 泰, ヤマト・スタジオ・オーケストラ | A Major | 0 | 11B | 85 BPM | ||
| Prisoner Exchange | Dennis McCarthy | D♭ Major | 0 | 3B | 99 BPM | ||
| Insequi | Mark Snow | D♭ Major | 9 | 3B | 160 BPM | ||
| Flight at Dusk | Tumult Kollektiv | C Minor | 1 | 5A | 128 BPM | ||
| The Door Is Banged Opened | Maurice Jarre | G Minor | 1 | 6A | 61 BPM | ||
| Ice Caves | Matt Uelman, Diablo, Blizzard Entertainment | B Minor | 4 | 10A | 78 BPM | ||
| A Cold Place | Daniel Pemberton | D Minor | 8 | 7A | 155 BPM | ||
| Sliro's Future | Wilbert Roget, II | A Major | 1 | 11B | 83 BPM | ||
| Clear All Moorings - Star Trek VI/Soundtrack Version | Cliff Eidelman | D Major | 1 | 10B | 71 BPM |