- BPM
- 77
- Key
- D Minor
- Camelot
- 7A
Air pour les Sauvages by Jean-Philippe Rameau, Martin Fröst Song Details
"Air pour les Sauvages" by Jean-Philippe Rameau, Martin Fröst had its release date on April 22, 2022. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Night Passages". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Air pour les Sauvages is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Air pour les Sauvages by Jean-Philippe Rameau, Martin Fröst having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 17%
- Loudness
- -20.829 dB
- Acousticness
- 99%
- Danceability
- 34%
- Energy
- 3%
- Instrumentalness
- 83%
- Liveness
- 10%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Two Waltzes in A Major, Op. 39, No. 15 & Op. 52, No. 6 (Arr. Stephan Koncz) | Johannes Brahms, Andreas Ottensamer, Leonidas Kavakos, Christoph Koncz, Antoine Tamestit, Stephan Koncz, Odon Racz | D Major | 3 | 10B | 102 BPM | |
 | Bach Orchestral Suite No.2 in B Minor, BWV 1076: VI. Menuet | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 114 BPM | |
 | An die Musik, D. 547 (transcribed for cello and piano by Thedéen & Shirinyan) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | |
 | Bloch: From Jewish Life: II. Supplication | Ernest Bloch, Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester | C Major | 0 | 8B | 86 BPM | |
 | Piano Sonata in C Minor: II. Andante con moto | Fanny Mendelssohn, Heather Schmidt | E♭ Major | 1 | 5B | 79 BPM | |
 | Intermezzo. A Scene from the Past | Kian Soltani | E Minor | 1 | 9A | 93 BPM | |
 | Salomea | Jasmin Reuter, World Chamber Orchestra | A♭ Major | 2 | 4B | 122 BPM | |
 | Les Pêcheurs de perles, GB. 4, WD. 13: Je crois entendre encore (Arr. for Cello Octet by Roland Pidoux) | Georges Bizet, Cello8, Raphael Pidoux | A Minor | 1 | 8A | 84 BPM | |
 | Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: II. Idylle | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | B♭ Major | 1 | 6B | 166 BPM | |
 | Cold Song | David Orlowsky, David Bergmüller | G Major | 1 | 9B | 78 BPM | |
 | Trois petites pièces: Clair de Lune | Augusta Holmès, Juliette Hurel, Hélène Couvert | F Minor | 0 | 4A | 81 BPM | |
 | Lyra | David Orlowsky, David Orlowsky Trio | G Major | 0 | 9B | 133 BPM | |
 | Oboe Concerto in G Major, TWV 51:2: I. Andante | Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis | E Minor | 1 | 9A | 73 BPM | |
 | Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | A Major | 2 | 11B | 142 BPM | |
 | Clarinet Sonata in F Minor, Op. 120, No. 1: II. Andante un poco Adagio | Johannes Brahms, Martin Fröst, Roland Pöntinen | E♭ Major | 0 | 5B | 71 BPM | |
 | Introduction and Variations on a Swedish Song for Clarinet and Orchestra, Op. 12 | Bernhard Henrik Crusell, Martin Fröst, Royal Stockholm Philharmonic Orchestra | B♭ Major | 2 | 6B | 141 BPM | |
 | The Indian Queen, Z. 630, Act 4: They Tell Us That Your Mighty Powers (Arr. for baroque orchestra and saxophone) | Henry Purcell, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | E Minor | 0 | 9A | 135 BPM | |
 | Suite in D Minor, HWV 437: III. Sarabande. Grave - Arranged by Charl du Plessis | George Frideric Handel, Charl du Plessis Trio | F Major | 2 | 7B | 82 BPM | |
 | Themes from "Chocolat" | Rachel Portman, Esther Abrami, Iyad Sughayer, Vienna Radio Symphony Orchestra | D♭ Major | 5 | 3B | 120 BPM | |
 | Londonderry Air (Danny Boy) (Arr. Knigge for Recorder and Ensemble) | Traditional, Lucie Horsch, LUDWIG Orchestra | A Minor | 4 | 8A | 121 BPM | |
| Sicilienne in E-Flat Major (Arr. T. Miteva for Cello & Chamber Orchestra) | Maria Theresia von Paradis, Teodora Miteva, World Chamber Orchestra | F Minor | 0 | 4A | 122 BPM | |
 | Marcello: Oboe Concerto in D Minor, S. Z799: I. Andante (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright) | Alessandro Marcello, Alison Balsom, Pinnock’s Players, Trevor Pinnock | D♭ Minor | 2 | 12A | 80 BPM | |
 | String Quintet in E Major, Op. 1: II. Andantino poco allegretto | Ethel Smyth, Joachim Griesheimer, Mannheimer Streichquartett | G Major | 1 | 9B | 70 BPM | |
 | Serenade No. 1 in D Major, Op. 9: I. Andante | Robert Fuchs, Kolner Kammerorchester, Christian Ludwig | C Minor | 1 | 5A | 111 BPM | |
 | Pequeña Czarda (Arr. Harle) | Pedro Iturralde, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | C Minor | 4 | 5A | 92 BPM |
- ISRC
- USSM12109798
- Label
- L-M Records/RCA Records