Vel Omarr's ' "When You're Here" was released on its scheduled release date, 1998. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. When You're Here's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Rhythms & the Blues". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, When You're Here's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With When You're Here by Vel Omarr having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Not Ashamed To Sing The Blues | Diane Schuur | E Minor | 3 | 9A | 115 BPM | ||
| Change Is Gonna Come | Ronnie EarlThe Broadcasters | B♭ Major | 6 | 6B | 129 BPM | ||
| Sledgehammer Soul & Down Home Blues | Mighty Sam McClain | G Major | 5 | 9B | 110 BPM | ||
| Cigarettes and Gin | Granvil Poynter | C Minor | 4 | 5A | 79 BPM | ||
| You Left The Water Running | W.C. Clark | G Major | 8 | 9B | 116 BPM | ||
| New Orleans Rain | Zakiya Hooker | C Major | 3 | 8B | 135 BPM | ||
| Borrowed Time | Aurea Jade | C Major | 1 | 8B | 172 BPM | ||
| Life Ain’t Got No Shortcuts | Jay-Bee & The Ultratone All-Stars | C Minor | 3 | 5A | 98 BPM | ||
| That's Something Called Love | Jacquelyn Baxter | F Minor | 4 | 4A | 104 BPM | ||
| At The End Of The Day | Jay-Bee & The Ultratone All-Stars | G Major | 5 | 9B | 105 BPM | ||
| My Telephone Keeps On Ringing | Vel Omarr | C Major | 3 | 8B | 172 BPM | ||
| Blues in My Soul | Lurrie Bell | A Minor | 5 | 8A | 158 BPM | ||
| For The Sake Of Blues | Royal Blue Notes | E Minor | 4 | 9A | 147 BPM | ||
| Would You Take My Blood? | Shemekia Copeland | E Minor | 6 | 9A | 171 BPM | ||
| Baby's Got Another Lover | Mick Kolassa | E Minor | 3 | 9A | 141 BPM | ||
| That's All That Matters | Vel Omarr | A Major | 10 | 11B | 172 BPM | ||
| Fault Line | HeavyDrunk | B Major | 2 | 1B | 114 BPM | ||
| No Reply | Craig Erickson | F♯ Minor | 4 | 11A | 131 BPM | ||
| Blues Prisoner | Tommy Castro | G Minor | 6 | 6A | 154 BPM | ||
| The Bottle | Slow Blow Fuse | B♭ Minor | 2 | 3A | 107 BPM | ||
| Somebody To Shack | Detroit Junior | D Minor | 1 | 7A | 178 BPM | ||
| Devil's Come Early To Collect His Due | Kevin Selfe & The Tornadoes | G Minor | 4 | 6A | 131 BPM | ||
| Midnight Love | Bob Corritore, Johnny Rawls | C Major | 7 | 8B | 150 BPM | ||
| Money Flows | The Sad Guitar, Misery Guitar Strings, The Underground Blues Crew, Jimmy Jake | E Major | 1 | 12B | 156 BPM | ||
| Tarde sin mapa | Novara | C Major | 1 | 8B | 172 BPM |