- BPM
- 100
- Key
- C Minor
- Camelot
- 5A
24 caprices en formes d'etudes: No. 21 in B-Flat Major by Pierre Rode, Axel Strauss Song Details
"24 caprices en formes d'etudes: No. 21 in B-Flat Major" by Pierre Rode, Axel Strauss had its release date on December 15, 2009. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Rode, P.: 24 Caprices for Solo Violin". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 24 caprices en formes d'etudes: No. 21 in B-Flat Major is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With 24 caprices en formes d'etudes: No. 21 in B-Flat Major by Pierre Rode, Axel Strauss having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -22.48 dB
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 5%
- Instrumentalness
- 72%
- Liveness
- 16%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto No. 3 in G Minor, Op. 12: I. Allegro risoluto | Friedrich Seitz, Hyejin Chung, Warren Lee | B♭ Major | 1 | 6B | 104 BPM | |
 | The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Midori | G Major | 0 | 9B | 98 BPM | |
 | Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | |
 | Cello Sonata No. 1 in E Minor, Op. 38 No. 1 (Arr. for 2 Cellos): III. Rondo. Allegretto | Bernhard Romberg, VC2 Cello Duo | E Minor | 1 | 9A | 104 BPM | |
 | 24 Caprices for Solo Violin in E Minor: IV. Siciliano - Allegro | Jacques Pierre Rode, Oscar Shumsky | G Major | 1 | 9B | 141 BPM | |
 | Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | |
 | 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 4, Waltz. Tempo di valse, moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | E♭ Major | 2 | 5B | 100 BPM | |
 | Sonata in C Major, Op. 40, No. 1: I. Allegro | Jean-Baptiste Breval, Yuriy Leonovich | C Major | 0 | 8B | 100 BPM | |
 | Paganini: Moto Perpetuo, Op. 11 No. 6 | Niccolò Paganini, Julie Berthollet, Mathieu Herzog, Ensemble Appassionato | C Major | 4 | 8B | 159 BPM | |
 | Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM | |
 | Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 0 | 10B | 83 BPM | |
 | Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Itzhak Perlman, Samuel Sanders | B♭ Major | 1 | 6B | 114 BPM | |
 | Caprice No. 12 | Yaroslav Medvedev-Taraldset, Davian Monfette | G Minor | 3 | 6A | 87 BPM | |
 | Glazunov: Violin Concerto in A Minor, Op. 82: I. Moderato | Alexander Glazunov, Itzhak Perlman, Israel Philharmonic Orchestra, Zubin Mehta | G Minor | 1 | 6A | 113 BPM | |
 | La ronde des Lutins | Antonio Bazzini, Christian Li, Timothy Young | G Major | 5 | 9B | 98 BPM | |
 | 24 caprices en formes d'etudes: No. 16 in B-Flat Minor | Pierre Rode, Axel Strauss | G Minor | 2 | 6A | 116 BPM | |
 | Minute Caprice (rec. pre-1915/ single face record/ HMV: 5-7955-b) | Jacques Thibaud, Pierre Rode | D♭ Major | 1 | 3B | 139 BPM | |
 | Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM | |
 | Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | |
 | Erlkönig, D. 328 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A Minor | 1 | 8A | 124 BPM | |
 | Cello Concerto in D Minor: II. Intermezzo: Andantino con moto - Allegro - Presto | Édouard Lalo, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 0 | 10B | 168 BPM | |
 | Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | |
 | Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | |
 | Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | |
 | Three Duets: I. Prelude from "The Gadfly" | Dmitri Shostakovich, Angela Chun, Jennifer Chun, Nelson Padgett, Konstantin Fortunatov | E Minor | 0 | 9A | 80 BPM |
- ISRC
- HKI190888921
- Label
- L-M Records/RCA Records