Children's Bedtime Stories's ' "The Parting" was released on its scheduled release date, 2016. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 11 in Doomsday Field by Children's Bedtime Stories. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Parting is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of The Parting by Children's Bedtime Stories is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chapter 7 - The Mysterious Affair at Styles | Agatha Christie, Lauren Williams | B Minor | 1 | 10A | 122 BPM | ||
| Perfect Woman (William Wordsworth) | Michael Sheen | D♭ Major | 0 | 3B | 77 BPM | ||
| Helpless | Chris Barrie | D Major | 3 | 10B | 127 BPM | ||
| The Rose.2 & The King's Royal March.1 - The Little Prince | Antoine de Saint-Exupéry | D Major | 2 | 10B | 107 BPM | ||
| Teil 1 - Kasperle und der Räuber Plumps | Kasperle, Peter Jacob, Kasperle-Theater "bi-ba-bo" | D♭ Major | 3 | 3B | 82 BPM | ||
| Embrace Challenges for Real Growth | Eckhart Tolle | D♭ Minor | 2 | 12A | 77 BPM | ||
| Chapter 24 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | A♭ Major | 2 | 4B | 104 BPM | ||
| Mrs. Finch | Children's Bedtime Stories | B Minor | 1 | 10A | 183 BPM | ||
| Chapter 09: Mikosh Returns | Bibi and Tina, Britt Mcckillip, Chantal Strand, Adrian Petriw, Ulf Thiem | D♭ Major | 3 | 3B | 89 BPM | ||
| Almost Perfect | Shel Silverstein | C Major | 0 | 8B | 175 BPM | ||
| Chapter 10: The Future of Falkenstein | Bibi and Tina | D♭ Minor | 3 | 12A | 88 BPM | ||
| Chapter 1.4 - Animal Farm | George Orwell | E♭ Major | 3 | 5B | 76 BPM | ||
| Night Among Wolves - Part 03 | The Three ??? | A♭ Major | 9 | 4B | 117 BPM | ||
| The Realm of Riddles - Part 19 | The Three ??? | B♭ Minor | 6 | 3A | 119 BPM | ||
| Dance At the Palace, Pt. 6 | Paul the Dreamtraveler | C Major | 3 | 8B | 67 BPM | ||
| Chapter 14 - Monster Blood - Classic Goosebumps 3 | R.L. Stine, Kirby Heyborne | B♭ Minor | 1 | 3A | 143 BPM | ||
| The Dreams of the Golden Ladder | Riley Weber | G Major | 6 | 9B | 158 BPM | ||
| Markheim | Robert Louis Stephenson | E♭ Major | 1 | 5B | 100 BPM | ||
| Chapter 1.3 - 1984 | George Orwell | C Major | 3 | 8B | 68 BPM | ||
| Lesson 8i | Kieran Ball | B♭ Minor | 1 | 3A | 125 BPM | ||
| Introduction | Kieran Ball | A♭ Minor | 1 | 1A | 115 BPM | ||
| Slaughterhouse 5, Pt. 10 | Kurt Vonnegut | F Major | 1 | 7B | 87 BPM | ||
| Pictures in My Mind | Fridosky Wosi | B♭ Major | 1 | 6B | 46 BPM | ||
| Chapter 01 - Grimms' Fairy Tales | The Brothers Grimm | A♭ Major | 4 | 4B | 120 BPM | ||
| Elegy (ed. Watkins) | Richard Burton | F♯ Major | 2 | 2B | 123 BPM |