二葉あき子's '巴里の夜' had a release date set for May 19, 2010. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. 巴里の夜's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in (大人の音楽 昭和の大歌手) 二葉あき子/フランチェスカの鐘, so we believe that "巴里の夜" is a single. 巴里の夜 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 巴里の夜 by 二葉あき子 is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| すみれの花咲く頃 | 並木路子 | B♭ Major | 4 | 6B | 99 BPM | ||
| 東京の灯よいつまでも | 新川二朗 | B Minor | 6 | 10A | 147 BPM | ||
| 追憶 | 二葉あき子 | B Minor | 2 | 10A | 111 BPM | ||
| キューポラのある街 | Sayuri Yoshinaga | B Minor | 4 | 10A | 106 BPM | ||
| 北上夜曲 | Chieko Baisho | A♭ Major | 4 | 4B | 130 BPM | ||
| とんがり帽子 | 川田正子 | F Major | 3 | 7B | 115 BPM | ||
| 大阪情話 ~うちと一緒になれへんか~ | Mitsuko Nakamura | A♭ Major | 6 | 4B | 116 BPM | ||
| ゴンドラの唄 | 田端義夫 | C Major | 2 | 8B | 93 BPM | ||
| 飛行予備学生 | Koji Tsuruta | F♯ Major | 5 | 2B | 125 BPM | ||
| ソーラン渡り鳥 | Komadori Sisters | B Minor | 3 | 10A | 137 BPM | ||
| 青い山脈 | Fujiyama Ichiro | E Major | 4 | 12B | 68 BPM | ||
| 雨の銀座 | ロス・プリモス | B Minor | 3 | 10A | 83 BPM | ||
| フランチェスカの鐘 - FadeOut・Ver | 二葉あき子 | B Minor | 3 | 10A | 147 BPM | ||
| 港が見える丘 | 平野愛子 | E♭ Major | 2 | 5B | 87 BPM | ||
| 哀愁波止場 | Hibari Misora | B♭ Minor | 1 | 3A | 81 BPM | ||
| あざみの歌 | Chieko Baisho | D Minor | 3 | 7A | 102 BPM | ||
| 美しき天然 | Yoko Seri | A Minor | 5 | 8A | 138 BPM | ||
| 若いお巡りさん | 曽根史郎 | B Minor | 4 | 10A | 78 BPM | ||
| Kogen no eki yo sayonara | Obata Minoru, Shunichi Sasaki, Takao Saeki | B Minor | 3 | 10A | 94 BPM | ||
| Koko Ni Kou Ari | Yoshiko Ootsu | A Major | 3 | 11B | 78 BPM | ||
| 感激の合唱 | Hisao Ito, 二葉あき子 | A Major | 3 | 11B | 110 BPM | ||
| 花はおそかった | 美樹克彦 | C Minor | 4 | 5A | 71 BPM | ||
| 白い花の咲く頃 | Chieko Baisho | G Minor | 4 | 6A | 90 BPM | ||
| ひとり囃子-"祇園祭"より- | 小柳ルミ子 | E Minor | 2 | 9A | 88 BPM | ||
| 蘇州夜曲 | 霧島 昇, 松原 操 | G Minor | 3 | 6A | 88 BPM |