Usha Mangeshkar's ' "He Naag Raja" was released on its scheduled release date, December 31, 1976. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in C. Arjun, Keshav Rathod, Pradeep Kumar's "Khamma Mara Vira" album is number 5 out of 6. On top of that, India appears to be the country where this track was created. In terms of popularity, He Naag Raja is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of He Naag Raja by Usha Mangeshkar to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yeh Dharti Yeh Ambar Jab Se - Pt. 1i | Nalin Dave, Laxmikant–Pyarelal | B Minor | 4 | 10A | 119 BPM | ||
| Salam-E-Hasrat Qubool Kar Lo | Sudha Malhotra | A Major | 1 | 11B | 182 BPM | ||
| Megha O Re Megha | Hemlata | D♭ Major | 5 | 3B | 104 BPM | ||
| Har Taraf Hai Ye Shor | Vinod Rathod, Atul Kale | G Major | 9 | 9B | 132 BPM | ||
| Ekvira Aai Tu Dongaravari | Shaila Chikhale, Veena Bamne, Shrikant Narayan | A♭ Minor | 5 | 1A | 85 BPM | ||
| Majhi Naiya Dhoondhe Kinara | Mukesh, Laxmikant–Pyarelal | F♯ Major | 7 | 2B | 120 BPM | ||
| Limboniche Limbu | Uttara Kelkar | A♭ Major | 8 | 4B | 84 BPM | ||
| Aalya Aalya Jau Naka | Usha Mangeshkar | D♭ Major | 7 | 3B | 78 BPM | ||
| Vedi Zali Radha | Suryakant Shinde | A♭ Major | 7 | 4B | 111 BPM | ||
| Amhi Prema Madhi Padloya | Sonu Nigam | C Minor | 4 | 5A | 88 BPM | ||
| Shambharachi Note - Jhankar Beats | DJ Harshit Shah, DJ MHD IND, Mahendra Kapoor, Usha Mangeshkar | F Minor | 8 | 4A | 147 BPM | ||
| Lanka Mein Danka | Shabbir Kumar | D♭ Major | 8 | 3B | 160 BPM | ||
| Mujhe Pyar Ka Tohfa Deke | Mohammed Rafi, Usha Mangeshkar | B Minor | 4 | 10A | 80 BPM | ||
| Amader Chhuti Chhuti | Sandhya Mukherjee | A♭ Major | 7 | 4B | 128 BPM | ||
| Shyam Rang Ranga Re | K. J. Yesudas | D♭ Major | 3 | 3B | 198 BPM | ||
| Malyachya Malya Madhi Kon Ga Ubhi | Usha Mangeshkar, Jaywant Kulkarni | F Major | 4 | 7B | 169 BPM | ||
| Kanda Raja Pandharicha | Sudhir Phadke | D♭ Minor | 5 | 12A | 104 BPM | ||
| Runanubandhachya | Kumar Gandharva, Vani Jairam | B♭ Major | 3 | 6B | 104 BPM | ||
| Duja Koi Roye | Mohammed Aziz, Laxmikant–Pyarelal | D♭ Major | 4 | 3B | 116 BPM | ||
| Mere Rakhi Ka Matlab | Sadhana Sargam | D Major | 7 | 10B | 139 BPM | ||
| Kuni Majhya Manat Laplay Re | Usha Mangeshkar, Chandrashekhar Gadgil | A Minor | 3 | 8A | 88 BPM | ||
| Kismat Ki Jeb Mein | Mehmood | C Major | 4 | 8B | 109 BPM | ||
| Ghunghat Ke Pat Khol | Geeta Dutt | C Minor | 1 | 5A | 102 BPM | ||
| Karma Theme - Instrumental | Laxmikant–Pyarelal | F Minor | 6 | 4A | 167 BPM | ||
| Chikna Chikna Mhavra Maza | Shahir Vitthal Umap | B♭ Major | 5 | 6B | 192 BPM |