"Everdawn Basin" by Hyperduck Soundworks had its release date on October 11, 2012. This song is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The song is number 15 out of 37 in Dust: An Elysian Tail by Hyperduck Soundworks. In terms of popularity, Everdawn Basin is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Everdawn Basin by Hyperduck Soundworks is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| OSCURIDAD | Joshua Alejandro Cruz Granados, Mercy ONE | C Major | 5 | 8B | 75 BPM | ||
| Dark Side Field | Roman Heuser | D Major | 4 | 10B | 116 BPM | ||
| The Long Construction - Future Mix | Chris Tilton | F Major | 2 | 7B | 120 BPM | ||
| Eduardo | Mai Clayton, MaiMoone | B Major | 2 | 1B | 127 BPM | ||
| Returning from an Expedition | Akihiko Narita | A Minor | 4 | 8A | 123 BPM | ||
| A Clash of Fang and Flame | Brad Derrick | F Major | 6 | 7B | 112 BPM | ||
| The Great Betrayal | Jon Everist, Paradox Interactive | F Major | 1 | 7B | 148 BPM | ||
| Planets Collide | Howard Mostrom | G Major | 4 | 9B | 145 BPM | ||
| Life in Galaxy | Benny Marshal, Benny King | F Minor | 3 | 4A | 66 BPM | ||
| Felonious Junk | Stephen Rippy, Kevin McMullan | C Minor | 2 | 5A | 120 BPM | ||
| Auric Wilds | Lena Raine | G Minor | 1 | 6A | 100 BPM | ||
| Sun. Down. | Joel Schoch | E♭ Minor | 2 | 2A | 84 BPM | ||
| Aquanos (Build Phase) | Cohen Tunes | D♭ Major | 8 | 3B | 72 BPM | ||
| Battle For Supremacy (From Stellaris Original Game Soundtrack) | Andreas Waldetoft | A Minor | 6 | 8A | 120 BPM | ||
| Let's End This | Hyperduck Soundworks | E♭ Minor | 6 | 2A | 115 BPM | ||
| Endless | Kyle Hnedak | F Minor | 4 | 4A | 84 BPM | ||
| Ir Armado | Inspire | A♭ Major | 5 | 4B | 90 BPM | ||
| Dead's Dead | Grant Kirkhope | C Major | 1 | 8B | 130 BPM | ||
| Time of Change (Vaulters Theme) | Arnaud Roy | E Minor | 3 | 9A | 128 BPM | ||
| Combat & Extras: Combat - High Intensity - Engagement - Section 2 | Erasmus Talbot | D♭ Major | 6 | 3B | 81 BPM | ||
| Kindled Echoes | Martin O'Donnell | A♭ Major | 5 | 4B | 120 BPM | ||
| The Blinded Forest | Gareth Coker | B♭ Minor | 1 | 3A | 144 BPM | ||
| Will of the Scribes | Darren Korb | D Minor | 6 | 7A | 159 BPM | ||
| A Worlds Apart | Damjan Mravunac | E Minor | 1 | 9A | 83 BPM | ||
| Frameshift & Starports: Frameshift Suite - First Movement - Andromeda | Erasmus Talbot | D Minor | 2 | 7A | 92 BPM |