Bill Evans's ' "Displacement" was released on its scheduled release date, 1956. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Displacement's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "New Jazz Conceptions". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Displacement's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Displacement by Bill Evans having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Way You Look Tonight | Wes Montgomery Trio | G Minor | 3 | 6A | 141 BPM | ||
| It Could Happen To You | Bob Brookmeyer, Bill Evans | G Major | 1 | 9B | 145 BPM | ||
| Lucky To Be Me | Monica Zetterlund, Bill Evans | G Minor | 0 | 6A | 127 BPM | ||
| Blues And The Abstract Truth | Oliver Nelson, Daniel Moore | G Minor | 6 | 6A | 116 BPM | ||
| All The Things You Are | Barry Harris Trio | A♭ Major | 2 | 4B | 93 BPM | ||
| Fee-Fi-Fo-Fum - Remastered1998/Rudy Van Gelder Edition | Wayne Shorter | F Minor | 5 | 4A | 158 BPM | ||
| Punjab | Benny Green | F♯ Minor | 2 | 11A | 141 BPM | ||
| Shirl (Rudy Van Gelder Mastering) [1998 Digital Remaster] | Horace Silver Quintet | C Minor | 1 | 5A | 122 BPM | ||
| Lands End | Clifford Brown, Max Roach Quintet | E♭ Minor | 4 | 2A | 144 BPM | ||
| The Song Is You | Charlie Parker Quartet | C Major | 5 | 8B | 128 BPM | ||
| Hey There | Bill Evans | C Minor | 2 | 5A | 71 BPM | ||
| Minor Run-Down - Rudy Van Gelder Edition/2008 Digital Remaster | Paul Chambers Quintet | B♭ Minor | 5 | 3A | 94 BPM | ||
| Candu - Remastered 2004 | Pete La Roca | D Minor | 5 | 7A | 130 BPM | ||
| Chi-Chi - Take 3 / Alternate | Charlie Parker Quartet | A♭ Major | 5 | 4B | 111 BPM | ||
| 朝日のようにさわやかに | The Great Jazz Trio | A♭ Major | 3 | 4B | 84 BPM | ||
| Crepuscule With Nellie (Take 6) | Thelonious Monk Septet | B♭ Minor | 0 | 3A | 178 BPM | ||
| Ornithology | Barry Harris Trio | D Major | 5 | 10B | 113 BPM | ||
| A November Afternoon | Art Farmer & Benny Golson Jazztet | F Minor | 5 | 4A | 115 BPM | ||
| If I Love Again | Clifford Brown, Max Roach Quintet | D Minor | 7 | 7A | 129 BPM | ||
| Paraphrase | Billy Taylor Trio | B♭ Major | 4 | 6B | 102 BPM | ||
| Weirdo | Miles Davis Quartet | C Minor | 2 | 5A | 122 BPM | ||
| This Time The Dream's On Me | Chet Baker Quartet | F Major | 4 | 7B | 123 BPM | ||
| Yesterdays | Wes Montgomery Trio | A Minor | 1 | 8A | 149 BPM | ||
| Feeling Good | Elvin Jones | A Minor | 1 | 8A | 134 BPM | ||
| Who Cares? - Take 5 | Cannonball Adderley, Bill Evans | A Minor | 5 | 8A | 115 BPM |