The Clarks's ' "Born Too Late" was released on its scheduled release date, June 20, 2000. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Clarks's "Let It Go" album is number 4 out of 12. The popularity of Born Too Late is currently average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Born Too Late by The Clarks to be Presto (very, very fast) because the track has a tempo of 186 BPM, a half-time of 93BPM, and a double-time of 372 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Let Me Hide | The Badlees | A Major | 7 | 11B | 116 BPM | ||
| My Town (Remastered) | Michael Stanley Band | D Major | 9 | 10B | 150 BPM | ||
| Who Needs Sleep? | Barenaked Ladies | C Major | 8 | 8B | 112 BPM | ||
| Train | The Clarks | B Major | 4 | 1B | 78 BPM | ||
| Down Together | The Refreshments | E Major | 7 | 12B | 153 BPM | ||
| What I Didn't Know | Athenaeum | B Major | 9 | 1B | 127 BPM | ||
| Such A Cad | Michel van Dijk, The Clarks | C Major | 8 | 8B | 142 BPM | ||
| Duck And Cover | Glen Phillips | D Major | 8 | 10B | 124 BPM | ||
| Good Intentions | Toad The Wet Sprocket | D Major | 7 | 10B | 100 BPM | ||
| Late Shift | Jackopierce | G Major | 4 | 9B | 96 BPM | ||
| Blue Collar Suicide | The Refreshments | A Major | 8 | 11B | 112 BPM | ||
| Medicine Man | Blue Water Highway | C Major | 8 | 8B | 106 BPM | ||
| Live Through This (Fifteen Stories) | Mighty Joe Plum | A Major | 8 | 11B | 94 BPM | ||
| In A Big Country | moe. | A Minor | 6 | 8A | 96 BPM | ||
| Suckerpunch | The Refreshments | A Major | 7 | 11B | 126 BPM | ||
| New York City | moe. | G Major | 8 | 9B | 135 BPM | ||
| Pink Houses | John Mellencamp | G Major | 8 | 9B | 115 BPM | ||
| Help Me Out | The Clarks | A Major | 9 | 11B | 120 BPM | ||
| Electric Avenue to Hell (feat. Jennifer Hartswick) | Umphrey's McGee, Jennifer Hartswick | D Major | 7 | 10B | 124 BPM | ||
| The Day That I Die | Benjy Davis Project | G Major | 7 | 9B | 92 BPM | ||
| Under The Tracks | Creeper Lagoon | B Minor | 6 | 10A | 91 BPM | ||
| Summer of 89 | Butch Walker and The Black Widows | A Minor | 9 | 8A | 146 BPM | ||
| Shady Esperanto And The Young Hearts | Stephen Kellogg and The Sixers | A♭ Major | 9 | 4B | 131 BPM | ||
| Into The Mystic | The Wallflowers | E♭ Major | 7 | 5B | 169 BPM | ||
| Penny on the Floor | The Clarks | G Major | 4 | 9B | 137 BPM |