"The Women Were In The Way" by Tom Hodge had its release date on November 28, 2025. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. The Women Were In The Way's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Testimony". In this album, this song's track order is #2. Based on our statistics, The Women Were In The Way's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Women Were In The Way by Tom Hodge having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mecholup | Floex | D Minor | 2 | 7A | 66 BPM | ||
| Refugees | Laura Masotto, Roger Goula | G Minor | 5 | 6A | 156 BPM | ||
| Alles | Felix Rösch, mondëna quartet | G Minor | 4 | 6A | 110 BPM | ||
| Get Away From The Door | Tom Hodge, Franz Kirmann | B Major | 3 | 1B | 95 BPM | ||
| Night Arp Blues | Indian Wells | B♭ Minor | 3 | 3A | 120 BPM | ||
| Cosmic Waltz - Remix | Rumpistol, Isan | E♭ Major | 4 | 5B | 172 BPM | ||
| undir | Ólafur Arnalds | E Major | 5 | 12B | 140 BPM | ||
| Remnants | Max Cooper, Tom Hodge | B Major | 6 | 1B | 150 BPM | ||
| Melifer | Plaid, Mason Bee | G Major | 4 | 9B | 140 BPM | ||
| Forgot | Angus MacRae | C Major | 3 | 8B | 155 BPM | ||
| Primary Pluck | Clark | C Minor | 2 | 5A | 73 BPM | ||
| Focus On Our Client's Testimony | Tom Hodge | B♭ Minor | 3 | 3A | 88 BPM | ||
| Draining the Blade | Reid Willis | E♭ Minor | 9 | 2A | 90 BPM | ||
| Propaganda | The Acid | A♭ Major | 4 | 4B | 101 BPM | ||
| Remember | Hior Chronik, Georgios Papadopoulos | B♭ Minor | 2 | 3A | 142 BPM | ||
| Jarred | Kiasmos | C Minor | 8 | 5A | 120 BPM | ||
| Camera obscura - Second Moon of Winter Remix | Piano Interrupted, Tom Hodge, Franz Kirmann, Second Moon of Winter | G Minor | 1 | 6A | 177 BPM | ||
| Becoming Ocean | Felix Rösch | A Minor | 7 | 8A | 120 BPM | ||
| Mehr Als Alles Andere | Bersarin Quartett | B♭ Major | 5 | 6B | 150 BPM | ||
| TAR | Martin Kohlstedt | F Major | 2 | 7B | 140 BPM | ||
| Night Silence | Solari Venn | G Major | 4 | 9B | 181 BPM | ||
| Solar Motel | The Flashbulb | B Minor | 8 | 10A | 180 BPM | ||
| Aurolac | Rumpistol | A♭ Major | 2 | 4B | 67 BPM | ||
| The Breaks | Phil France | F Minor | 2 | 4A | 158 BPM | ||
| D 92 8:50 P.M | Jim Perkins, Leah Kardos | D Major | 2 | 10B | 92 BPM |