Thomas Blug's 'Welcome To The Future' had a release date set for October 29, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "The Best Of". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Welcome To The Future is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Welcome To The Future by Thomas Blug having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghost of You | Andy Timmons | C Major | 8 | 8B | 88 BPM | ||
| Enjoy | Laszloo, Rastafarfar | G Major | 6 | 9B | 166 BPM | ||
| Lonesome Night | Jack Thammarat | A Minor | 6 | 8A | 142 BPM | ||
| Somewhere Between Fear & Hope | Sander Lugtigheid | G Major | 4 | 9B | 115 BPM | ||
| Beco Sem Saída | Edy Bonfim | F Major | 7 | 7B | 100 BPM | ||
| Bloom | Eric Johnson | A Major | 8 | 11B | 90 BPM | ||
| Shes Gone | Jam Track Central, Jack Thammarat | A Minor | 7 | 8A | 125 BPM | ||
| Blue Valley | Thomas Blug | D Major | 6 | 10B | 79 BPM | ||
| After the Rain | Jam Track Central, Jack Thammarat | B Minor | 5 | 10A | 107 BPM | ||
| Flying | Thomas Blug | E Minor | 9 | 9A | 130 BPM | ||
| Love Crimes | Thomas Blug | E Major | 3 | 12B | 110 BPM | ||
| Ocean View | Thomas Blug | F♯ Minor | 7 | 11A | 166 BPM | ||
| Corrosion | Marco Sfogli | A Major | 9 | 11B | 92 BPM | ||
| Back to the Start | Jack Thammarat | E Minor | 6 | 9A | 160 BPM | ||
| Coming Clean | Dave Martone | E♭ Major | 3 | 5B | 120 BPM | ||
| Lucy | Jack Thammarat, MAY PATCHARAPONG, Mong Kridsana | G Major | 6 | 9B | 156 BPM | ||
| Missin' You Already | Thomas Blug | A Minor | 4 | 8A | 59 BPM | ||
| Over the Hills and Far Away | Lexington Lab Band | D Major | 9 | 10B | 95 BPM | ||
| PAX MenTal | Millo King ARQ | D Major | 3 | 10B | 146 BPM | ||
| Love Is Blue | Justin Derrico | D Major | 6 | 10B | 124 BPM | ||
| Royal Killer | Sera Wren | G Major | 5 | 9B | 88 BPM | ||
| Standing in the Shadow of the Blues | John Haydock | E Minor | 3 | 9A | 97 BPM | ||
| The Looking Glass | Neil Zaza | E Major | 9 | 12B | 108 BPM | ||
| Nightwalk | Steve Morse | D Major | 5 | 10B | 185 BPM | ||
| Bulletproof Soul | Off Enhji | E Minor | 7 | 9A | 118 BPM |