"Walking Past You" by Flee The Seen had its release date on April 11, 2006. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 11 in Doubt Becomes The New Addiction by Flee The Seen. Based on our statistics, Walking Past You's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Walking Past You by Flee The Seen is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Life As A Criminal | Versus The Mirror | A♭ Major | 10 | 4B | 156 BPM | ||
| The 20th Century Was Entirely Mine | Fear Before The March Of Flames | D Major | 9 | 10B | 159 BPM | ||
| Ctrl+Alt+Delete | From Tomorrow | F♯ Minor | 9 | 11A | 92 BPM | ||
| Knife For My Neighbor | Plans For Revenge | A Minor | 9 | 8A | 163 BPM | ||
| Two Wrongs Make Me Write | Saravain | D Major | 9 | 10B | 128 BPM | ||
| Lightworker | Yesterdays Rising | F♯ Minor | 9 | 11A | 153 BPM | ||
| People are Machines | PM Today | G Major | 10 | 9B | 95 BPM | ||
| In Memory of | The Coterie | A♭ Major | 8 | 4B | 100 BPM | ||
| Denigration Makes Jon Doe Angry | Catherine | F Major | 10 | 7B | 184 BPM | ||
| The Smile That Kills | Burden Of A Day | G Major | 9 | 9B | 138 BPM | ||
| Without Regret | Akissforjersey | E Major | 10 | 12B | 86 BPM | ||
| Light Brite | Catherine | D Minor | 10 | 7A | 90 BPM | ||
| Words Of The New Prophet | Gwen Stacy | E Minor | 10 | 9A | 162 BPM | ||
| Rise & Fall | Beloved | F Major | 10 | 7B | 157 BPM | ||
| We Are Always Searching | I Am Ghost | D Minor | 10 | 7A | 106 BPM | ||
| The Last American Cowboy | The Bled | D Major | 9 | 10B | 159 BPM | ||
| Dark | Terminal | F Minor | 8 | 4A | 136 BPM | ||
| I'll Splatter You Like Jackson Pollock | Gwen Stacy | G Major | 9 | 9B | 90 BPM | ||
| I'll Be Back On Sunday | Flee The Seen | E Major | 9 | 12B | 198 BPM | ||
| By All Accounts (Today Was A Disaster) | Emery | B♭ Minor | 8 | 3A | 150 BPM | ||
| We Ate The Horse | Vanna | E Major | 10 | 12B | 116 BPM | ||
| Great White Zombie | Versus The Mirror | A Minor | 9 | 8A | 143 BPM | ||
| No Longer A One Night Stand | All Falls Aside | A♭ Major | 9 | 4B | 92 BPM | ||
| A Dead Language For A Dying Lady | Vanna | E Major | 10 | 12B | 173 BPM | ||
| Outline Of A Monster | The Messenger | C Major | 9 | 8B | 156 BPM |