Nicholas Carter's ' "Chapter 18.7 - King's Men Crow" was released on its scheduled release date, August 3, 2021. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Nicholas Carter's "King's Men Crow" album is number 110 out of 213. On top of that, Germany appears to be the country where this track was created. Chapter 18.7 - King's Men Crow is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Chapter 18.7 - King's Men Crow by Nicholas Carter to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Champagne Nights | Paul Smith | D♭ Major | 8 | 3B | 100 BPM | ||
| Love is Love | George Kallis | E♭ Major | 1 | 5B | 170 BPM | ||
| Conspiracy | Nick Johnson, Nino Morro | G Minor | 6 | 6A | 130 BPM | ||
| Two Waves | The Prams | B Minor | 4 | 10A | 132 BPM | ||
| Silence | Ships Have Sailed | C Major | 4 | 8B | 112 BPM | ||
| We Are the Ever | Cavendish Music | C Major | 3 | 8B | 180 BPM | ||
| Two Sides | Black Red Gold, Freddie Dickson | D♭ Minor | 6 | 12A | 105 BPM | ||
| Salted Wound - From "Fifty Shades Of Grey" Soundtrack | Sia | C Major | 4 | 8B | 82 BPM | ||
| Stone Circles | Thomas Hewitt Jones | B Minor | 1 | 10A | 100 BPM | ||
| The Finale (The Choice) | Evan Goldman | D♭ Major | 6 | 3B | 139 BPM | ||
| WALLOWS | Tommy Docherty | B♭ Major | 6 | 6B | 100 BPM | ||
| Psychological Drama Theme 1 | Lorne Balfe | E♭ Major | 2 | 5B | 112 BPM | ||
| D'Accord | Nicholas Carter, Kevin Swain | A♭ Major | 2 | 4B | 130 BPM | ||
| Playing On Rewind | Modern Fear | D Major | 5 | 10B | 150 BPM | ||
| Today's The Day | Tim Myers | C Major | 9 | 8B | 126 BPM | ||
| Tepetaklak | Ceren Gündoğdu | C Minor | 3 | 5A | 160 BPM | ||
| Love Again | KLAZY | C Major | 3 | 8B | 160 BPM | ||
| Raw Melancholia | Stuart Martyn Miller | G Minor | 2 | 6A | 80 BPM | ||
| In My Heart | Harry Angstrom, Jonathan Buchanan | G Minor | 7 | 6A | 130 BPM | ||
| Last Light | Nicholas Carter, Kevin Swain | G Major | 1 | 9B | 50 BPM | ||
| If Love Is You | Greg Hatwell, Adele Roberts | E Minor | 2 | 9A | 68 BPM | ||
| Translation Montage | J.J. Pfeifer | C Major | 2 | 8B | 87 BPM | ||
| Arrows | Daiana Lou | B♭ Minor | 7 | 3A | 172 BPM | ||
| Love Like Ours | Aron Wright | E Minor | 4 | 9A | 206 BPM | ||
| Coming Back to You | Leah Kardos | D Major | 2 | 10B | 134 BPM |