"La traviata: Act II: Bella voi siete e giovine... Col tempo..." by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano had its release date on 1993. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: La Traviata - The Sony Opera House by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #18 out of 45 tracks. La traviata: Act II: Bella voi siete e giovine... Col tempo... is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata: Act II: Bella voi siete e giovine... Col tempo... by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With La traviata: Act II: Bella voi siete e giovine... Col tempo... being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bizet: Carmen, Act 4: "Les voici! voici la quadrille!" (Chorus, Escamillo, Carmen, Frasquita) | Georges Bizet, Maria Callas/Robert Massard/Nadine Sautereau/Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 3 | 10B | 126 BPM | ||
| Bellini: Norma: Sinfonia | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 1 | 9B | 141 BPM | ||
| Messa da Requiem: Confutatis | Giuseppe Verdi, Elena Filipova, Gloria Scalchi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | F♯ Major | 0 | 2B | 81 BPM | ||
| Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM | ||
| Un ballo in maschera, Act I: Posa in pace | Giuseppe Verdi, Ruggero Raimondi, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano | B♭ Minor | 1 | 3A | 78 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Valse moderato | Franz Lehár, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 98 BPM | ||
| Der Rosenkavalier, Op.59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 4 | 3B | 173 BPM | ||
| La bohème, Act I: Questo mar rosso | Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | C Major | 9 | 8B | 124 BPM | ||
| La Traviata, Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | B♭ Major | 2 | 6B | 106 BPM | ||
| Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
| La Traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 4 | 9B | 138 BPM | ||
| I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
| Mozart: Requiem in D Minor, K. 626: III. Dies irae | Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | D Minor | 6 | 7A | 77 BPM | ||
| Bizet: Carmen, WD 31, Act 2: Chanson bohème. "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | ||
| Bizet: Carmen, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
| The Flower Duet (From "Lakmé") | Katherine Jenkins, Kiri Te Kanawa, Philharmonia Orchestra, Anthony Inglis | B Major | 3 | 1B | 102 BPM | ||
| Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
| La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
| Rossini: Il Barbiere di Siviglia, Act I: "Largo al factotum" (Figaro) | Gioachino Rossini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | C Major | 3 | 8B | 134 BPM | ||
| La traviata, Act II: Avrem lieta di maschere la notte | Giuseppe Verdi, Stefania Malagu, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 84 BPM | ||
| Nabucco: Entry Chorus 'Gli arredi festivi giu candano infranti' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
| Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
| L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
| Tosca, SC 69: Mario Cavaradossi? ... E lucevan le stelle | Giacomo Puccini, Jonathan Tetelman, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | B Minor | 1 | 10A | 136 BPM | ||
| Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM |