"Never Go In Dad's Office" by Christopher Young had its release date on January 1, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Sinister (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Never Go In Dad's Office's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Never Go In Dad's Office by Christopher Young having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dead Sister | Brian Reitzell, Alex Heffes | D♭ Major | 1 | 3B | 139 BPM | ||
| LM-118 | Marcus Fjellström | F♯ Major | 3 | 2B | 80 BPM | ||
| William's Confession | Mark Korven | A♭ Major | 1 | 4B | 68 BPM | ||
| Final Search | Charles Bernstein | D Major | 3 | 10B | 67 BPM | ||
| A Stroll Through the Ancient City | Atrium Carceri | G Major | 5 | 9B | 155 BPM | ||
| Get Him Talking | Clinton Shorter | B♭ Major | 3 | 6B | 129 BPM | ||
| The Leap | Atrium Carceri | G Major | 1 | 9B | 64 BPM | ||
| The Rat Slice Quartet | Christopher Young | G Major | 1 | 9B | 172 BPM | ||
| Trap the Shape | John Carpenter, Cody Carpenter, Daniel Davies | B♭ Minor | 4 | 3A | 160 BPM | ||
| MemorialOne | Torin Borrowdale | A Major | 3 | 11B | 73 BPM | ||
| Ricky Leaves | Atli Örvarsson | F Major | 1 | 7B | 136 BPM | ||
| Brought on by Night | Christopher Young | A♭ Major | 1 | 4B | 65 BPM | ||
| Believe In Angels | Graeme Revell | E♭ Major | 1 | 5B | 67 BPM | ||
| Sinister | Christopher Young | F Major | 5 | 7B | 128 BPM | ||
| Dark End | Atrium Carceri | G Minor | 0 | 6A | 71 BPM | ||
| Panic Attack | Adam Wingard | D♭ Major | 1 | 3B | 144 BPM | ||
| Audience With God | Lovett | C Major | 1 | 8B | 75 BPM | ||
| Pollock Type Pain | Christopher Young | B♭ Minor | 2 | 3A | 137 BPM | ||
| Sweet Poison | Liliya Kumar, Lofi Chills | D♭ Major | 2 | 3B | 105 BPM | ||
| Ambush | Daniel L.K. Caldwell | C Major | 1 | 8B | 88 BPM | ||
| Introduction | Jim Williams | D Major | 0 | 10B | 75 BPM | ||
| The Mountains | David Julyan | G Major | 2 | 9B | 79 BPM | ||
| Time Is Unity | Éric Serra | A♭ Minor | 1 | 1A | 134 BPM | ||
| The Grind | John Carpenter, Cody Carpenter, Daniel Davies | F Minor | 2 | 4A | 156 BPM | ||
| I Can See the End | Lovett | A♭ Major | 2 | 4B | 66 BPM |