Left Behind's ' "Haunted" was released on its scheduled release date, October 29, 2013. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 6 in Death, Take Me by Left Behind. Based on our statistics, Haunted's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Haunted by Left Behind is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vultures | Expire | A Major | 9 | 11B | 83 BPM | ||
| Front Toward Enemy | Incendiary | G Major | 9 | 9B | 125 BPM | ||
| Pariah | END | C Major | 9 | 8B | 138 BPM | ||
| I Don't Like You | Flower Crown | D Minor | 8 | 7A | 116 BPM | ||
| Dog Eat Dog | Nailwound | E Major | 9 | 12B | 105 BPM | ||
| 12ga | Left Behind | F♯ Major | 9 | 2B | 101 BPM | ||
| Twist of Fate | Downpresser | F Minor | 10 | 4A | 140 BPM | ||
| Radial Lacerations | Sanction | D♭ Major | 9 | 3B | 169 BPM | ||
| Suicide Spell | Lifesick | D Major | 9 | 10B | 164 BPM | ||
| Curse Us | Paleface Swiss | D♭ Major | 9 | 3B | 140 BPM | ||
| In with the New | Inclination | D♭ Major | 9 | 3B | 105 BPM | ||
| Outside the Body | Left Behind | C Major | 9 | 8B | 139 BPM | ||
| Silent Vice | Judiciary | E Major | 10 | 12B | 76 BPM | ||
| God Talk | Varials, Chad Ruhlig | G Minor | 9 | 6A | 95 BPM | ||
| The Guilty Dog | Kublai Khan TX | B♭ Minor | 9 | 3A | 138 BPM | ||
| The Power Process | Incendiary | A Major | 10 | 11B | 148 BPM | ||
| In Cleansing Fire | Chamber | A♭ Major | 10 | 4B | 96 BPM | ||
| Circumvent | Strangled, Pintglass | G Major | 9 | 9B | 113 BPM | ||
| The Art of War | King Nine | A♭ Major | 9 | 4B | 138 BPM | ||
| Crossgates | The Acacia Strain | G Major | 8 | 9B | 100 BPM | ||
| The Axis of Equality | Judiciary | F Minor | 9 | 4A | 91 BPM | ||
| Empire Of Dirt | Varials, Bryan Garris | C Major | 9 | 8B | 121 BPM | ||
| Final Cataclysm | Justice For The Damned | B♭ Minor | 10 | 3A | 110 BPM | ||
| Cauterizer | The Acacia Strain | B♭ Major | 10 | 6B | 183 BPM | ||
| Waiting for the End | Left Behind | E Major | 9 | 12B | 130 BPM |