"Introduction" by Spoken Word, Barbara Cook, Wally Harper had its release date on 1975. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 20 in Barbara Cook at Carnegie Hall by Barbara Cook. In terms of popularity, Introduction is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Introduction by Spoken Word, Barbara Cook, Wally Harper is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hooray For Captain Spaulding | Groucho Marx, Ken Lane Singers | C Major | 3 | 8B | 140 BPM | ||
| Dance At the Palace, Pt. 5 | Paul the Dreamtraveler | C Major | 2 | 8B | 106 BPM | ||
| H.M.S. Pinafore, Act I: For I Hold That on the Seas | Gilbert & Sullivan Society of Houston | A♭ Major | 4 | 4B | 108 BPM | ||
| Recognizing Presence Is Here | Eckhart Tolle | G Minor | 5 | 6A | 59 BPM | ||
| Dance At the Palace, Pt. 4 | Paul the Dreamtraveler | F Minor | 3 | 4A | 123 BPM | ||
| The Ballad of Mack the Knife | Gerald Price, John Yap | F Major | 2 | 7B | 171 BPM | ||
| What is Jazz - Part One (Types of Jazz) | Billy Strayhorn, Bob Roberts, J. C. Johnson, Jimmy Larkin, Jimmy McHugh, Spoken Word, Traditional, Bob Prince, Leonard Bernstein, Pete Johnson, Phil Woods | G Major | 2 | 9B | 76 BPM | ||
| Peter and the Wolf, Op. 67: VI. The Wolf | Wiener Opernorchester | E♭ Major | 0 | 5B | 125 BPM | ||
| We Are (feat. Ebony Burks, Koko, El Starrh & Spoken Word) | FirstRepair, Ebony Burks, Koko, El Starrh, Spoken Word | D Minor | 7 | 7A | 89 BPM | ||
| Peter and the Wolf, Op. 67: The Bird | David Bowie, Eugene Ormandy | C Major | 1 | 8B | 134 BPM | ||
| Light As the Breeze | Billy Joel | C Major | 4 | 8B | 96 BPM | ||
| Ballad of the Adventurers | David Bowie | A Minor | 4 | 8A | 99 BPM | ||
| West Side Story: IV. The Dance at the Gym - Meeting Scene | Leonard Bernstein, Nina Bernstein, Alexander Bernstein | A Minor | 0 | 8A | 85 BPM | ||
| The Rising Sun | Richard Burton | A Minor | 1 | 8A | 61 BPM | ||
| Going Down the Other Side | Children's Bedtime Stories | D♭ Major | 3 | 3B | 134 BPM | ||
| Death Shakes the Foundations | Nik_Poetry | A Major | 1 | 11B | 65 BPM | ||
| Oedipus Rex | Tom Lehrer | F Major | 5 | 7B | 127 BPM | ||
| The Flood Abates | Bible Dreaming | D♭ Major | 7 | 3B | 120 BPM | ||
| Thirsty | Fantom of the Beat, The 17th, Spoken Word | F Minor | 9 | 4A | 89 BPM | ||
| Hands Across the Sea: March: Hands across the Sea | John Philip Sousa, Royal Artillery Band, Keith Brion | A Minor | 2 | 8A | 119 BPM | ||
| The orchestral richness of Siegfried... | Spoken Word, Peter Bassett | D♭ Minor | 2 | 12A | 102 BPM | ||
| H.M.S. Pinafore / Act 1: When I was a lad | Arthur Sullivan, The D'Oyly Carte Opera Company, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | B♭ Major | 2 | 6B | 97 BPM | ||
| Emily — No Prisoner Be: No. 2, I was the slightest in the House — | Kevin Puts, Time For Three, Joyce DiDonato | C Major | 0 | 8B | 134 BPM | ||
| Peter and the Wolf, Op. 67 (Remastered): Peter Catches the Wolf | Sergei Prokofiev, Eugene Ormandy, David Bowie, Philadelphia Orchestra | A Minor | 3 | 8A | 125 BPM | ||
| When I Was a Lad | Allan Sherman | C Minor | 7 | 5A | 100 BPM |