"Dunkelrote Rosen" by Carl Millöcker, André Rieu, The Platin Tenors had its release date on October 15, 2010. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Dunkelrote Rosen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Rosen aus dem Süden". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Dunkelrote Rosen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dunkelrote Rosen by Carl Millöcker, André Rieu, The Platin Tenors having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 8 aus 12 oder Von der Freiheit, in Begrenzung Schönheit zu entdecken, Op. 36: IV. Rhythmus - UA | Thomas Noettling, Österreichische Kammersymphoniker, Ernst Theis | A Major | 2 | 11B | 77 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Halt! Hokuspokus, Hexenschuss!" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | B♭ Major | 1 | 6B | 103 BPM | ||
| Gräfin Mariza - Operetta in 3 Acts: Ich möchte träumen | Emmerich Kálmán, Rita Bartos, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | F Minor | 3 | 4A | 76 BPM | ||
| Cæcilie Vals (1852) | Hans Christian Lumbye, Tivoli Symphony Orchestra | B Major | 1 | 1B | 172 BPM | ||
| Nonnenkoor Uit Casanova | Koor en Orkest o.l.v. Benedict Silberman | F Major | 3 | 7B | 87 BPM | ||
| Estudiantina, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | D Major | 2 | 10B | 99 BPM | ||
| Les Patineurs: Pas des patineurs | Giacomo Meyerbeer, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 203 BPM | ||
| Cyprienne (Polka schnell) | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | C Major | 2 | 8B | 136 BPM | ||
| Flicker of Hope | Veridia | E Major | 3 | 12B | 77 BPM | ||
| Komm Zigan | Rudolf Schock | A Major | 3 | 11B | 106 BPM | ||
| Ball-Szene | Joseph Hellmesberger, Jr., Gothenburg Symphony Orchestra, Neeme Järvi | B Major | 3 | 1B | 116 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | F Major | 4 | 7B | 78 BPM | ||
| Künstlerleben | Vienna Volksoper Orchestra | C Major | 3 | 8B | 182 BPM | ||
| Gasparone: "Nur Gold will ich haben" (Fremder, Benozzo) | Carl Millöcker, Kölner Rundfunkorchester, Franz Marszalek, Josef Metternich, Willy Hofmann | C Major | 6 | 8B | 99 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| La Grande-Duchesse de Gérolstein: Overture | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 74 BPM | ||
| Brahms: Hungarian Dances, WoO 1: No. 5 in G Minor (Orch. Parlow) | Johannes Brahms, Sir Charles Mackerras, Philharmonia Orchestra | G Major | 3 | 9B | 90 BPM | ||
| Fučík: Der alte Brummbär, Op. 210 | Julius Fučík, Václav Neumann, Jiří Formacek, Czech Philharmonic | F Major | 2 | 7B | 82 BPM | ||
| Messa di gloria, SC 6: IIc. Gloria. Qui tollis peccata mundi - Live | Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | C Minor | 1 | 5A | 77 BPM | ||
| Brahms: Hungarian Dances, WoO 1: No. 6 in D Major (Orch. Parlow) | Johannes Brahms, Sir Charles Mackerras, Philharmonia Orchestra | G Major | 3 | 9B | 90 BPM | ||
| Der Probekuss: In Saus und Braus | Carl Millöcker, Wiener Johann Strauss Orchester, Alfred Eschwe | F Major | 4 | 7B | 78 BPM | ||
| Die lustige Witwe, Act I: No. 1, Introduction – Verehrteste Damen und Herren | Franz Lehár, Donald Grobe, Zoltan Kelemen, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
| The Bird Seller: "Ich bin der Prodecan" (Instrumental Version) | Carl Zeller, Budapest Philharmonic Orchestra, Janos Sandor | B♭ Major | 1 | 6B | 128 BPM | ||
| Der Fliegende Holländer: Summ und Brumm, du gutes Rädchen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 2 | 11B | 80 BPM | ||
| Der Bettelstudent, Act II: Einen Mann hat sie gefunden | Carl Millöcker, Hertha Töpper, Wilma Lipp, Rosl Schwaiger, Symphonieorchester des Bayerischen Rundfunks, Werner Schmidt-Boelcke | A♭ Major | 3 | 4B | 119 BPM |