Народные, Georg Ots, Геннадий Подельский's 'Эстонская народная песня "Прялка" - 2022 Remastered' had a release date set for July 7, 2022. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Эстонская народная песня "Прялка" - 2022 Remastered's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Георг Отс в Киеве (2022 Remastered), so we believe that "Эстонская народная песня "Прялка" - 2022 Remastered" is a single. In terms of popularity, Эстонская народная песня "Прялка" - 2022 Remastered is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Эстонская народная песня "Прялка" - 2022 Remastered by Народные, Georg Ots, Геннадий Подельский is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sebben crudele mi fai languir' | Antonio Caldara, Cecilia Bartoli, György Fischer | C Major | 0 | 8B | 97 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.2: My work is done | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
| Bolcom: Cabaret Songs, Volume I: No. 4, Waitin | William Bolcom, Kate Royal | F Major | 0 | 7B | 86 BPM | ||
| O del mio amato ben - Voice | Stefano Donaudy, Carlo Bergonzi, John Wustman | A Major | 1 | 11B | 60 BPM | ||
| Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
| 20 Irish Songs, WoO 153: No. 11, When Far From the Home | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | D Major | 1 | 10B | 173 BPM | ||
| Fünf Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | D Major | 0 | 10B | 95 BPM | ||
| Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Kiri Te Kanawa, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 0 | 6B | 88 BPM | ||
| Dumka (Reverie): Dumka | Frédéric Chopin, Olga Pasichnyk, Natalya Pasichnyk | A Minor | 0 | 8A | 133 BPM | ||
| Lieder (Duette), Op. 63: I. Ich wollt, meine Liebe ergösse sich | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney, Malcolm Martineau | C Minor | 0 | 5A | 69 BPM | ||
| Sä olet Jeesus, laulunaihe mulle | Heikki Rainio, Pentti Kotiranta | C Minor | 3 | 5A | 126 BPM | ||
| Bizet: Adieux de l'hôtesse arabe, WD 72 | Georges Bizet, Fatma Said, Malcolm Martineau, Burcu Karadağ | A Minor | 0 | 8A | 80 BPM | ||
| Les Contes d'Hoffmann: Prélude & Barcarolle "Belle nuit, Ô nuit d'amour" | Jacques Offenbach, Jodie Devos, Adèle Charvet, Munich Radio Orchestra, Laurent Campellone | D Major | 4 | 10B | 144 BPM | ||
| Faure: Claire de Lune | Gérard Souzay | B♭ Minor | 1 | 3A | 71 BPM | ||
| Oh pourquoi donc, S. 301a | Franz Liszt, Katharina Konradi, Daniel Heide | E Major | 0 | 12B | 67 BPM | ||
| Orff: Carmina Burana, Pt. 3 "Cour d'amours": In trutina | Carl Orff, Sir Simon Rattle, Sally Matthews, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
| Schumann: Myrthen, Op. 25: No. 1, Widmung | Robert Schumann, Fatma Said, Joseph Middleton | G Major | 1 | 9B | 131 BPM | ||
| Das Lied von der Erde: III. Von der Jugend | Gustav Mahler, Esa-Pekka Salonen, Plácido Domingo, Los Angeles Philharmonic | G Minor | 1 | 6A | 89 BPM | ||
| Borodin: The Sleeping Princess | Alexander Borodin, Galina Vishnevskaya, Mstislav Rostropovich | A Major | 0 | 11B | 66 BPM | ||
| Songs of Travel: Whither Must I Wander? | Ralph Vaughan Williams, David John Pike, Isabelle Trüb | E Major | 3 | 12B | 92 BPM | ||
| From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | F Major | 0 | 7B | 86 BPM | ||
| Balakirev: Embrace, Kiss | Mily Balakirev, Larissa Gergieva, Daniil Shtoda | E♭ Minor | 1 | 2A | 92 BPM | ||
| Petite Messe solennelle: I. Kyrie eleison - Christe eleison | Gioachino Rossini, Bavarian Radio Chorus, Tal & Groethuysen | C Major | 1 | 8B | 65 BPM | ||
| Lohengrin, Act I Scene 2: Einsam in trüben Tagen "Elsa's Dream" | Richard Wagner, Gundula Janowitz, Karl Ridderbusch, Bavarian Radio Chorus, Heinz Mende, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D Major | 4 | 10B | 103 BPM | ||
| Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM |