Rabindranath Tagore's 'Birpurush' had a release date set for January 7, 1932. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Voice Of Rabindranath Tagore". In this album, this song's track order is #14. Furthermore, we believe that the track originated from India. The popularity of Birpurush is currently unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Birpurush by Rabindranath Tagore having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhador Ashwin Mase | Bhoomi | F Major | 4 | 7B | 174 BPM | ||
| Hori Mon Mojaye (From "Binodiini") | Shuchismita Chakraborty | A♭ Major | 0 | 4B | 122 BPM | ||
| Pitha-Pulir Gaan | JOler gaan | D Major | 6 | 10B | 105 BPM | ||
| Ekta Golpo Bolo (From "Onko Ki Kothin") | Lagnajita Chakraborty, Debdeep Mukhopadhyay | A♭ Minor | 3 | 1A | 135 BPM | ||
| Amar Mon Mane Na | Sumitra Sen, Rabindranath Tagore | A Major | 3 | 11B | 130 BPM | ||
| Khachar Vitar Achin Pakhi Kemne Aase Jai | Kartik Das Baul | E Major | 6 | 12B | 154 BPM | ||
| Tomar Motoi | Neel Dutt, Anjan Dutt | A Minor | 4 | 8A | 104 BPM | ||
| Emon Manob Janom | Maadal | C Minor | 3 | 5A | 130 BPM | ||
| Aha Ki Ananda | Anup Ghoshal | D♭ Major | 4 | 3B | 80 BPM | ||
| Megher Kole Rod Hesechhe | Nilanjana Bagchi | E♭ Minor | 6 | 2A | 119 BPM | ||
| O Shyama | Satyaki Banerjee, Avishek Saha | F Major | 6 | 7B | 80 BPM | ||
| Chinigo Chini | Rafi Alam, Autumnal Moon, Rabindranath Tagore | D Major | 4 | 10B | 140 BPM | ||
| Hariye Jete Jete | Aarti Mukherji | E Minor | 3 | 9A | 111 BPM | ||
| Hridhmajhare Rakhbo | Dohar | D Major | 5 | 10B | 129 BPM | ||
| Anandaloke Mongolaloke | Jayati, Lopamudra, Raghab, Manomoy, Gautam, Sraboni, Surojit | E♭ Major | 3 | 5B | 114 BPM | ||
| Ei Chhotto Chhotto Paye | Aarti Mukherji, Pratima Banerjee | C Minor | 4 | 5A | 143 BPM | ||
| Amar Shwapne Dekha Rajkanya | Shyamal Mitra | F♯ Minor | 4 | 11A | 119 BPM | ||
| Anandaloke Mangalaloke | Manomay | D♭ Major | 3 | 3B | 90 BPM | ||
| Matone Metechhe ("Rudrabinar Obhishaap Part 2") | Jimut Roy, Pt. Nihar Ranjan Bandyopadhyay | B Major | 6 | 1B | 168 BPM | ||
| Gopono Kothati | #abhikism, Shayok Banerjee, Rabindranath Tagore | E Minor | 4 | 9A | 144 BPM | ||
| Eii Shohore Praan Chhilo - Lofi | Rupam Islam | G Minor | 3 | 6A | 76 BPM | ||
| Champa Chameli Golaperi Baage | Manna Dey, Sandhya Mukherjee | E♭ Minor | 4 | 2A | 104 BPM | ||
| Ore Chitrarekhadore|Pt. 1 - Background Music And Dialogue | Shaheb Chatterjee, Rabindranath Tagore | B♭ Major | 3 | 6B | 177 BPM | ||
| Alga Koro Go Khopar Badhon | Ramanuj Dasgupta | D♭ Major | 6 | 3B | 169 BPM | ||
| Shey Chole Geleo (Male) | Kabir Suman | C Major | 3 | 8B | 78 BPM |