Alessandro Scarlatti, Núria Rial, Alicia Amo, La Ritirata, Josetxu Obregon's ' "Il giardino di rose, R.503.19: Prima Parte: Perché care (Duetto)" was released on its scheduled release date, February 14, 2025. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 55 in the song's album "Scarlatti: Il giardino di rose". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Germany. Il giardino di rose, R.503.19: Prima Parte: Perché care (Duetto) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il giardino di rose, R.503.19: Prima Parte: Perché care (Duetto) by Alessandro Scarlatti, Núria Rial, Alicia Amo, La Ritirata, Josetxu Obregon having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rameau : Zoroastre : Act 3 Entrée des Montagnards | Jean-Philippe Rameau, William Christie, Les Arts Florissants | F Major | 1 | 7B | 49 BPM | ||
| Rameau: Achante et Céphise, Act 2: Plainte | Jean-Philippe Rameau, Alexis Kossenko, Les Ambassadeurs ~ La Grande Écurie | B♭ Minor | 1 | 3A | 82 BPM | ||
| Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : IV Allegro assai | Evaristo Felice Dall'Abaco, Concerto Köln | E Major | 3 | 12B | 117 BPM | ||
| Overture No. 2 in F Major: III. Sarabande | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | F Major | 1 | 7B | 108 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
| Ouverture-Suite in B Minor, TWV 55:h4: V. La Bravoure | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck | G Major | 3 | 9B | 87 BPM | ||
| Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 3. Sinfonia - Aria | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's, John Feeney | D Major | 2 | 10B | 94 BPM | ||
| Concerto for Harpsichord and Strings in C Minor: I. Allegro assai | Baldassare Galuppi, Arianna Radaelli, La Filarete | B Minor | 4 | 10A | 146 BPM | ||
| Scarlatti, A: Il Pirro e Demetrio, Act 2: "Fra gl'assalti di Cupido" (Pirro) | Alessandro Scarlatti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 4 | 3B | 152 BPM | ||
| Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
| Les Boréades, RCT 31: Entrée de Polymnie (Arr. for Baroque Ensemble & Saxophone by Bo Wiget) | Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | F Major | 1 | 7B | 101 BPM | ||
| Have Mercy Upon Me, O God, HWV 248: VII. Make Me a Clean Heart, O God | George Frideric Handel, Arcangelo, Jonathan Cohen, Deborah Cachet | A Major | 5 | 11B | 105 BPM | ||
| Ode for St Cecilia's Day, Z. 339: "Here the Deities Approve" | Henry Purcell, Tim Mead, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Minor | 2 | 3A | 119 BPM | ||
| Il Combattimento di Tancredi e Clorinda, SV 153: 3. Torna l'ira nei cori | Claudio Monteverdi, John Mark Ainsley, New London Consort, Philip Pickett | C Major | 2 | 8B | 164 BPM | ||
| Concerto grosso No. 2 in G Major: III. Andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | G Minor | 1 | 6A | 116 BPM | ||
| Scarlatti, A / Orch Courbier & Delaforge: Il Pompeo, Act 2: "O cessate di piagarmi" (Orch. Courbier & Delaforge) | Alessandro Scarlatti, Nathalie Stutzmann, Orfeo 55 | E Minor | 2 | 9A | 85 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Purcell: Timon of Athens, Z. 632: Curtain Tune on a Ground | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | A♭ Major | 0 | 4B | 93 BPM | ||
| Emily — No Prisoner Be: No. 24, ‘Tis true - They shut me in the Cold | Kevin Puts, Time For Three, Joyce DiDonato | B♭ Minor | 1 | 3A | 82 BPM | ||
| Welcome Every Guest: I. Symphony | John Blow, Vincent Dumestre, Le Poème Harmonique | D♭ Major | 2 | 3B | 85 BPM | ||
| Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
| O di Betlemme altera: 1. Introduzione | Alessandro Scarlatti, The English Concert, Trevor Pinnock, Peter Hanson, Walter Reiter, Trevor Jones, Jane Coe, Peter McCarthy | A♭ Major | 1 | 4B | 105 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E♭ Major | 1 | 5B | 130 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Sonata a tromba in D Major, TWV 44:1: III. Vivace | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck, Ute Hartwich | D♭ Major | 3 | 3B | 141 BPM |