Rie Asakura's 'あの場所から' had a release date set for 1975. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ひとさし指, so we believe that "あの場所から" is a single. In terms of popularity, あの場所から is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of あの場所から by Rie Asakura is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 誰もいない海 | 本田 路津子 | F♯ Minor | 2 | 11A | 110 BPM | ||
| ラヴ・イズ・オーヴァー | Yasuko Naito | C Major | 3 | 8B | 70 BPM | ||
| 想い出のラブ・ソングス | Mayo Shono | A Major | 4 | 11B | 145 BPM | ||
| あの夜と同じように | N.S.P | A Minor | 4 | 8A | 89 BPM | ||
| 高崎の女 | ロス・プリモス | A Minor | 5 | 8A | 101 BPM | ||
| めぐりあい | Rie Asakura | D♭ Minor | 4 | 12A | 109 BPM | ||
| ロンリー・ロンサム・ナイト | Takao Horiuchi | C Major | 2 | 8B | 78 BPM | ||
| 青いリンゴ | Goro Noguchi | A Minor | 7 | 8A | 137 BPM | ||
| ふる里に帰ろう | Sayuri Ishikawa | B Minor | 6 | 10A | 166 BPM | ||
| ラ・ノビア | Peggy Hayama | B♭ Minor | 2 | 3A | 147 BPM | ||
| 今・今・今 | Kiyohiko Ozaki | C Minor | 3 | 5A | 111 BPM | ||
| 父娘船 | Aiko Moriyama | C Minor | 6 | 5A | 140 BPM | ||
| Barairo no Mirai | Masako Mori | A Minor | 6 | 8A | 110 BPM | ||
| 若草の髪かざり | Rie Asakura | E Minor | 6 | 9A | 140 BPM | ||
| 維新のおんな | Nobue Matsubara | F♯ Minor | 4 | 11A | 139 BPM | ||
| 忘れ雪 | Off Course | A Minor | 4 | 8A | 140 BPM | ||
| Furare te Yarusa | Naoko Ken | D♭ Minor | 7 | 12A | 124 BPM | ||
| ひとりの冬なら来るな | ふきのとう | D Minor | 5 | 7A | 121 BPM | ||
| 別れの朝 - 2011 Remaster | 朱里エイコ | D Minor | 5 | 7A | 97 BPM | ||
| 沈丁花 | 石川優子 | C Minor | 3 | 5A | 172 BPM | ||
| ゴッド・ファーザー(愛のテーマ) | ペドロ&カプリシャス | F Minor | 4 | 4A | 89 BPM | ||
| ひとり占め | サザンクロス | C Minor | 5 | 5A | 100 BPM | ||
| サルビアの花 | 本田 路津子 | G Major | 3 | 9B | 110 BPM | ||
| 花の街 | Yoko Seri | E Major | 3 | 12B | 90 BPM | ||
| トーキョー・ストーリー | チェウニ | D Minor | 5 | 7A | 108 BPM |