Chuck Ragan's ' "For Broken Ears" was released on its scheduled release date, May 8, 2007. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Chuck Ragan's "Los Feliz" album is number 11 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, For Broken Ears's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of For Broken Ears by Chuck Ragan to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Get What You Give | Chuck Ragan | A Major | 4 | 11B | 95 BPM | ||
| Seems Like Home To Me | Two Gallants | D Major | 7 | 10B | 113 BPM | ||
| Maydays and Rosaries | AM Taxi | E Major | 6 | 12B | 176 BPM | ||
| Hell or high water | William Elliott Whitmore | A Major | 2 | 11B | 77 BPM | ||
| The Endlessness and the Space Between | Will Varley | F♯ Major | 5 | 2B | 136 BPM | ||
| Cursing Concrete | Ravi, Chuck Ragan | D Major | 8 | 10B | 180 BPM | ||
| No Exception | Chris Wollard & The Ship Thieves | D Major | 8 | 10B | 142 BPM | ||
| Never Have Time | Chris Wollard & The Ship Thieves | E Minor | 9 | 9A | 138 BPM | ||
| Olde Tyme Mem'ry | Mischief Brew | F Major | 3 | 7B | 92 BPM | ||
| What It Takes | Tim Vantol | G Major | 6 | 9B | 125 BPM | ||
| Letting Go | Sam Russo | F♯ Minor | 1 | 11A | 98 BPM | ||
| The Older I Get | Jesse Ahern, Ken Casey of Dropkick Murphys, Jaime Wyatt | A♭ Major | 8 | 4B | 120 BPM | ||
| Continental | Matt Skiba | E Major | 5 | 12B | 140 BPM | ||
| Survivor Blues (the After Hours) | Cory Branan | D Major | 4 | 10B | 80 BPM | ||
| Toadvine | Ben Nichols | C Major | 3 | 8B | 81 BPM | ||
| Why Shouldn't You | Tim Vantol | G Major | 9 | 9B | 94 BPM | ||
| Lincoln's Funeral Train | Greg Graffin | D Major | 7 | 10B | 147 BPM | ||
| If We Would Know | Tim Vantol | C Major | 4 | 8B | 172 BPM | ||
| Wild In Our Ways | Chuck Ragan | B Minor | 9 | 10A | 140 BPM | ||
| Let Me In | Red City Radio | E Minor | 10 | 9A | 101 BPM | ||
| Skyscraper - Acoustic | Bad Religion | D♭ Major | 3 | 3B | 120 BPM | ||
| Right as Rain | Chuck Ragan | A Major | 4 | 11B | 95 BPM | ||
| No Cigar | Mike Herrera | A Major | 1 | 11B | 133 BPM | ||
| Sugar | The Horrible Crowes | D♭ Major | 5 | 3B | 112 BPM | ||
| Red River | Rocky Votolato | E♭ Major | 6 | 5B | 138 BPM |