FILMORE's ' "Headlights" was released on its scheduled release date, May 27, 2016. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Headlights's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Proof". In this album, this song's track order is #5. Based on our statistics, Headlights's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Headlights by FILMORE having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stick 'em Up | Carter Winter | D♭ Minor | 8 | 12A | 95 BPM | ||
| Don't Call Me | The Swon Brothers | C Major | 8 | 8B | 90 BPM | ||
| When A Momma's Boy Meets A Daddy's Girl | Aaron Pritchett | B♭ Major | 8 | 6B | 158 BPM | ||
| Lipstick on My Bottle | Carter Winter | D♭ Major | 8 | 3B | 170 BPM | ||
| Where You Been All My Life | Jordan Rager | C Major | 9 | 8B | 140 BPM | ||
| Save Your Breath | Josh Dorr | C Major | 8 | 8B | 105 BPM | ||
| Daddy's Money | Brooke Eden | E Major | 9 | 12B | 175 BPM | ||
| Bonfire | The Roads Below | A♭ Major | 9 | 4B | 100 BPM | ||
| Nothin' On Us | Corey Crowder | B♭ Major | 9 | 6B | 132 BPM | ||
| Forever Rebels | Tim Hicks | D♭ Major | 8 | 3B | 113 BPM | ||
| Shoot Out the Lights | Jessie James Decker | D Major | 9 | 10B | 98 BPM | ||
| Other Girl | Filmore | C Major | 7 | 8B | 166 BPM | ||
| My Kinda People | Josh Bagwell | G Major | 8 | 9B | 116 BPM | ||
| Just My Type | Leaving Austin | A♭ Major | 8 | 4B | 128 BPM | ||
| State I'm In | Filmore | B Minor | 8 | 10A | 112 BPM | ||
| Thunder | Adam Sanders | E Major | 6 | 12B | 136 BPM | ||
| Track 9 | Clark Manson | B Minor | 6 | 10A | 86 BPM | ||
| Laid Back | Mitchell Tenpenny | A Major | 9 | 11B | 172 BPM | ||
| Raised by a Good Time | Steven Lee Olsen | D Major | 9 | 10B | 142 BPM | ||
| Somewhere Tonight | James Otto | C Major | 9 | 8B | 110 BPM | ||
| Let It | Brandon Lay | F♯ Major | 8 | 2B | 107 BPM | ||
| Undone | Joe Nichols | A♭ Major | 8 | 4B | 80 BPM | ||
| Want You Back | Dylan Schneider | C Major | 9 | 8B | 178 BPM | ||
| We Live It | Adam Sanders | C Major | 9 | 8B | 105 BPM | ||
| Some Are | Hudson Moore | F♯ Major | 8 | 2B | 94 BPM |