"Double Expose: Corteo" by Ken Field, Amy Denio, Jessica Lurie, Mike Duke, Andy Pinkham, Blake Newman, Mike Rivard, David Maxwell, Phil Neighbors, Will Dowd had its release date on November 6, 2012. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Sensorium". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Double Expose: Corteo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Double Expose: Corteo by Ken Field, Amy Denio, Jessica Lurie, Mike Duke, Andy Pinkham, Blake Newman, Mike Rivard, David Maxwell, Phil Neighbors, Will Dowd having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Compliance Theme | Heather McIntosh | G Minor | 3 | 6A | 138 BPM | ||
| Winter's Dance | Antti Paalanen | C Minor | 1 | 5A | 83 BPM | ||
| Estemporaneo | Paolo Fresu, Bebo Ferra, Filippo Vignato, Federico Malaman, Christian Meyer | F Minor | 7 | 4A | 142 BPM | ||
| New York Mood (New Haircut and a Busted Lip) - Instrumental | Tom Waits | A Minor | 0 | 8A | 122 BPM | ||
| Canned Chicken | Ken Field | G Major | 6 | 9B | 98 BPM | ||
| Restrictus | Mario Batkovic | E♭ Minor | 4 | 2A | 98 BPM | ||
| Twilight | Neil Young | E Minor | 2 | 9A | 109 BPM | ||
| There's nothing we can do | Doplefy, Leumas Reis | E Minor | 1 | 9A | 59 BPM | ||
| Let No Man Steal Your Thyme | Pentangle | A Minor | 3 | 8A | 110 BPM | ||
| Økern/Oslo 2 | Peder Capjon Kjellsby | D Major | 2 | 10B | 84 BPM | ||
| Kubrick | John Scofield | F Major | 1 | 7B | 98 BPM | ||
| Struck Bamboo Pipes No.2 | GODTET | F♯ Minor | 4 | 11A | 106 BPM | ||
| Is Beauty Enough? | Ella van der Woude | E Minor | 1 | 9A | 59 BPM | ||
| Same Thing Reconsidered | Ken Field | E♭ Major | 2 | 5B | 100 BPM | ||
| Difference Engine | Black Chamber | D Minor | 4 | 7A | 120 BPM | ||
| Stay Inbetween | Greg Spero, Miguel Atwood-Ferguson, Ben Williams, Gene Coye, Jermaine Paul, Jose Miguel Perez | A♭ Major | 4 | 4B | 149 BPM | ||
| Love Song 3, Pt. 3 | Mike Westbrook Concert Band | A Major | 1 | 11B | 66 BPM | ||
| On a Good Day | The Westerlies | B♭ Major | 1 | 6B | 90 BPM | ||
| Slow Miles, Fast Feelings | Sense Nox | E Minor | 1 | 9A | 59 BPM | ||
| Interlude 2 | maudlin of the Well | D Major | 5 | 10B | 122 BPM | ||
| LeChuck at the Altar | Peter McConnell | B♭ Major | 2 | 6B | 81 BPM | ||
| Solaire | Jon Hassell | D Major | 3 | 10B | 146 BPM | ||
| Icarus And Friends | Colin Stetson, David Ralicke, Jeff Silverman | B Major | 5 | 1B | 110 BPM | ||
| Rise (Live) | Ken Field, Eric Glick Rieman | G Minor | 1 | 6A | 111 BPM | ||
| Inside (Live) | Ken Field, Karen Stackpole | A Major | 1 | 11B | 150 BPM |