"Manon: 'Ah! Perfide Manon!'" by Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos had its release date on October 3, 2003. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jules Massenet, Marcelo Álvarez, Renée Fleming, The Orchestra and Chorus of the Opéra National de Paris's "Manon" album is number 26 out of 72. On top of that, United States appears to be the country where this track was created. Manon: 'Ah! Perfide Manon!' is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manon: 'Ah! Perfide Manon!' by Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
| Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
| Piano Concerto in A Minor, Op. 17: II. Romanza: Andante | Ignacy Jan Paderewski, Janina Fialkowska, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 0 | 8B | 111 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento, placido | Franz Liszt, Jorge Bolet | D♭ Major | 0 | 3B | 84 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam (Conclusion) | Gustav Mahler, Sir John Barbirolli, John Barbirolli, New Philharmonia Orchestra | A Minor | 1 | 8A | 77 BPM | ||
| Romance from "The Gadfly" | Dmitri Shostakovich, Yevgeny Kutik, Timothy Bozarth | C Major | 1 | 8B | 88 BPM | ||
| Cello Sonata in B-Flat Major, Op. 46: 2. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | A♭ Major | 0 | 4B | 65 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
| Liebestraum No. 3 in A-Flat Major, S. 541 / 3 | Franz Liszt, Lang Lang | A♭ Major | 0 | 4B | 137 BPM | ||
| Massenet: Thaïs, Act 2: Méditation (Version for Violin and Piano) | Jules Massenet, Min Kym, Gordon Back | D Major | 1 | 10B | 95 BPM | ||
| Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
| Méditation de Thaïs (Arr. Cullen for Cello and Orchestra) | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" | Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 113 BPM | ||
| 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
| Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
| Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
| Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 103 BPM | ||
| Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 85 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
| Massenet: Thaïs, Act 2: Méditation | Jules Massenet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner, Hans Kalafusz | E Minor | 2 | 9A | 62 BPM | ||
| Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 74 BPM | ||
| Peer Gynt, Op. 23: Solveig's Song (Arr. for Violin and Piano by Charlie Siem) | Edvard Grieg, Charlie Siem, Itamar Golan | A Major | 1 | 11B | 73 BPM |