On November 4, 2011, the song "We Come from an Era" was released by Hau. We Come from an Era is explicit and may not be suitable for children. With the duration being about 4:08, this song is close to the average duration of a typical track. This song is part of Window of Time by Reason. The song's track number on the album is #9 out of 17 tracks. Based on our statistics, We Come from an Era's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since We Come from an Era by Hau has a tempo of 150 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With We Come from an Era being at 150 BPM, the half-time would be 75 BPM with a double-time of 300 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coro | Cocoflow | D♭ Minor | 0 | 12A | 125 BPM | ||
| 呼吸 | Ironomi | D Major | 5 | 10B | 97 BPM | ||
| A Cup of Melody | Yuichiro Fujimoto | D Major | 0 | 10B | 174 BPM | ||
| Then Patterns - Bonus Track | Nils Frahm | D♭ Major | 1 | 3B | 117 BPM | ||
| Via Muzio Clementi | Marihiko Hara | C Major | 0 | 8B | 70 BPM | ||
| Remember | Ai Furusato | F♯ Minor | 4 | 11A | 76 BPM | ||
| Feud | Flapjack, Hau | G Major | 9 | 9B | 104 BPM | ||
| Lost Soundtrack to a Special Day | The Vernon Spring | G Minor | 2 | 6A | 116 BPM | ||
| April 15th | Marihiko Hara, Polar M | G Major | 0 | 9B | 71 BPM | ||
| Just Clap | Calski, Hau | B♭ Minor | 5 | 3A | 108 BPM | ||
| Old Automation | Masayoshi Fujita | A♭ Minor | 1 | 1A | 77 BPM | ||
| わたしは光をにぎっている | 加藤久貴 | B♭ Major | 2 | 6B | 71 BPM | ||
| Theme | Hi'Spec | A♭ Minor | 0 | 1A | 104 BPM | ||
| Scene II, Kyoto | 阿部海太郎 | G Major | 0 | 9B | 143 BPM | ||
| Exhale | Hermitude, Hau | B♭ Minor | 8 | 3A | 95 BPM | ||
| morning notes | Takeshi Kurihara | E♭ Major | 2 | 5B | 88 BPM | ||
| open window - for piano | Yuichiro Fujimoto | E Major | 1 | 12B | 76 BPM | ||
| Sleet | Shugo Tokumaru | G Major | 2 | 9B | 170 BPM | ||
| Section 7 | Kengo Tokusashi | E Major | 2 | 12B | 55 BPM | ||
| Yoti g | Miyauchi Yuri | B Major | 1 | 1B | 76 BPM | ||
| I SING HIGH | Sam Gendel, Sam Wilkes | D♭ Major | 5 | 3B | 135 BPM | ||
| Guess Who | Shuta Hasunuma, U-zhaan | D♭ Major | 2 | 3B | 45 BPM | ||
| Lovely Day | Kan Sano | F♯ Major | 3 | 2B | 100 BPM | ||
| 6018 | 野口文 | D Major | 2 | 10B | 100 BPM | ||
| Wake up Wake up (Piano Version) | Lullatone | E♭ Major | 2 | 5B | 120 BPM |