Spring Offensive's 'Between One And One-Nine-Four' had a release date set for August 1, 2009. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 3 in the song's album "Spring Offensive". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The popularity of Between One And One-Nine-Four is currently unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Between One And One-Nine-Four by Spring Offensive having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Animal Skins | Dry the River | E Major | 9 | 12B | 138 BPM | ||
| Holy | Frightened Rabbit | A Major | 10 | 11B | 171 BPM | ||
| Bats In The Attic (Unravelled) | King Creosote, Jon Hopkins | A♭ Major | 4 | 4B | 88 BPM | ||
| Forever I've Known | The Maccabees | D Minor | 6 | 7A | 105 BPM | ||
| Pylons | Eaves | D♭ Minor | 5 | 12A | 82 BPM | ||
| Fragment Two | These New Puritans | D♭ Minor | 4 | 12A | 95 BPM | ||
| She Wants To Know | Half Moon Run | F♯ Minor | 7 | 11A | 96 BPM | ||
| From Above | The Beach | F♯ Minor | 4 | 11A | 158 BPM | ||
| The Time To Sleep | Marble Sounds | E Major | 6 | 12B | 90 BPM | ||
| I Work Nights and You Work Days | To Kill A King | C Major | 2 | 8B | 134 BPM | ||
| This Feels Like | There Will Be Fireworks | E Major | 4 | 12B | 130 BPM | ||
| Hidden Hand | Dry the River | B Major | 8 | 1B | 139 BPM | ||
| Bodylifting | Spring Offensive | A♭ Minor | 6 | 1A | 119 BPM | ||
| Peaches | The Districts | B Minor | 9 | 10A | 137 BPM | ||
| Solace | Fyfe | E Major | 5 | 12B | 125 BPM | ||
| Boarding Time | Sizarr | B Minor | 9 | 10A | 130 BPM | ||
| Insolence | Shearwater | A♭ Minor | 5 | 1A | 122 BPM | ||
| You're a Runner | Me And My Drummer | F Major | 5 | 7B | 105 BPM | ||
| Another Tale from Another English Town | Lanterns on the Lake | B Major | 6 | 1B | 87 BPM | ||
| Radiant | Everything Everything | B Minor | 8 | 10A | 89 BPM | ||
| Choices | To Kill A King | F Major | 4 | 7B | 141 BPM | ||
| Mnemosyne | I LIKE TRAINS | B Minor | 7 | 10A | 126 BPM | ||
| Morton's Fork | Typhoon | C Major | 3 | 8B | 144 BPM | ||
| Not Drowning but Waving | Spring Offensive | B♭ Major | 5 | 6B | 133 BPM | ||
| Isles | Little Comets | B Major | 7 | 1B | 159 BPM |