Begum Akhtar's ' "Yeh Husn-E-Raz-E-Mohabbat" was released on its scheduled release date, January 1, 2010. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Yeh Husn-E-Raz-E-Mohabbat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rare Gems - Begum Akhtar". In this album, this song's track order is #12. Furthermore, we believe that the track originated from India. Based on our statistics, Yeh Husn-E-Raz-E-Mohabbat's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Yeh Husn-E-Raz-E-Mohabbat by Begum Akhtar having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tere Qareeb Rahun Ya | Chandan Dass | A♭ Major | 5 | 4B | 100 BPM | ||
| Bairan Ratiya Dadra | Prabha Atre | A♭ Minor | 4 | 1A | 107 BPM | ||
| Poochho Na Kaise Maine | Manna Dey, S. D. Burman | G Major | 4 | 9B | 142 BPM | ||
| Koyaliya Mat Kar Pukar - Manjh Khamaj - Dadra | Begum Akhtar | F Minor | 5 | 4A | 136 BPM | ||
| Mausam Aayenge Jayenge | Ahmed Hussain, Mohammed Hussain | F♯ Major | 7 | 2B | 140 BPM | ||
| Kuch Bhi Na Kaha Aur Keh Bhi Gai | Naseem Begum | B Minor | 4 | 10A | 91 BPM | ||
| Balam Tere | Shubha Mudgal | D♭ Major | 4 | 3B | 110 BPM | ||
| Tu Jo Nahin Hai To Kuchh Bhi Nahin | S.B. John | F♯ Minor | 6 | 11A | 104 BPM | ||
| Laga Chunari Men Daag | Manna Dey, Roshan | A♭ Minor | 7 | 1A | 84 BPM | ||
| Ghire Ghir Aayi Badariyaa | Arati Ankalikar Tikekar | B♭ Minor | 5 | 3A | 130 BPM | ||
| Lutf Woh Ishaq Mein | Farida Khanum | D♭ Major | 6 | 3B | 113 BPM | ||
| Farz Karo Hum Ahele Wafa Hon | Ibne Insha | B Minor | 3 | 10A | 116 BPM | ||
| Hum Ke Thehre Ajnabi | Nayyara Noor | A Major | 3 | 11B | 142 BPM | ||
| Ras Ke Bhare | Girija Devi | D Major | 5 | 10B | 71 BPM | ||
| Alaf Allah | Wadali Brothers | D♭ Major | 4 | 3B | 140 BPM | ||
| Neer Bharana | Shubha Mudgal | D♭ Major | 5 | 3B | 177 BPM | ||
| Sanwariya Sanjh | Kishori Amonkar, Raghunandan Panshikar | D♭ Minor | 4 | 12A | 153 BPM | ||
| Woh Mujhse Huey Humkalam | Farida Khanum | F Major | 3 | 7B | 79 BPM | ||
| Aaye Na Balam (Pilu) (Thumri) | Ustad Bade Ghulam Ali Khan | F♯ Major | 2 | 2B | 103 BPM | ||
| Yeh Na Thi Hamari Qismat | Habib Wali Muhammad | F Minor | 5 | 4A | 169 BPM | ||
| Saranga Teri Yaad Mein | Mukesh | C Major | 3 | 8B | 126 BPM | ||
| Commentry And Interview Begum Akhtar And Kadar Jane Na Mora Balam Bedardi | Lata Mangeshkar, Begum Akhtar, Ameen Sayani, Madan Mohan | G Major | 3 | 9B | 145 BPM | ||
| Koi Din Gar Zindgani Aur Hai | Vinod Sehgal | F♯ Minor | 6 | 11A | 96 BPM | ||
| Ambwa | Muslim Shaggan | B♭ Minor | 2 | 3A | 190 BPM | ||
| Na Jee Bharke Dekha | Chandan Dass | F♯ Minor | 5 | 11A | 150 BPM |