On 2006, the song "Limehouse Blues" was released by Norman Blake, Red Rector. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Limehouse Blues's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Norman Blake|Red Rector". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Limehouse Blues's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Limehouse Blues by Norman Blake, Red Rector having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bowling Green | The Kossoy Sisters | B Major | 6 | 1B | 138 BPM | ||
| Where The Wild River Rolls | Hot Rize | C Minor | 2 | 5A | 129 BPM | ||
| Old Riverman | The Nashville Bluegrass Band | B Minor | 3 | 10A | 120 BPM | ||
| Salt Creek | Tony Rice | D Major | 7 | 10B | 126 BPM | ||
| Ten Degrees | J.D. Crowe & The New South | C Major | 4 | 8B | 101 BPM | ||
| Never Meant to Be | Tony Rice | E Major | 4 | 12B | 113 BPM | ||
| Spanish Pipedream | John Prine | G Major | 4 | 9B | 81 BPM | ||
| Jesse James | Harry McClintock | C Major | 1 | 8B | 125 BPM | ||
| Randall Collins/Done Gone | Norman Blake | G Minor | 8 | 6A | 127 BPM | ||
| Raleigh and Spencer/Dusty Miller | Tatiana Hargreaves, Danny Knicely, Emma Beaton, Mark Schatz | G Major | 4 | 9B | 124 BPM | ||
| I've Endured | Ola Belle Reed, Bud Reed, David Reed | G Major | 4 | 9B | 105 BPM | ||
| I'll Fly Away | The Kossoy Sisters | G Major | 4 | 9B | 98 BPM | ||
| Can't You Hear Me Calling | Hazel Dickens, Alice Gerrard | G Major | 5 | 9B | 96 BPM | ||
| Talking Banjo | Buzz Busby | G Major | 6 | 9B | 82 BPM | ||
| Fiddlehead Fern | Cahalen Morrison & Eli West | A Major | 5 | 11B | 129 BPM | ||
| Banks Of The Ohio | Doc Watson, Merle Watson | E♭ Major | 2 | 5B | 97 BPM | ||
| I'd Like To Be A Train | Larry Sparks | D Major | 4 | 10B | 111 BPM | ||
| Up on the Hill Where They Do the Boogie | John Hartford | D Major | 5 | 10B | 104 BPM | ||
| Manzanita | Tony Rice Unit | C Major | 4 | 8B | 119 BPM | ||
| Little Joe | Norman Blake | A Major | 4 | 11B | 134 BPM | ||
| Down Where The River Bends | J.D. Crowe | B Major | 4 | 1B | 96 BPM | ||
| Tramp on the Street | Betty Jean Robinson | B♭ Major | 1 | 6B | 127 BPM | ||
| Jesse James | The Country Gentlemen | B Major | 7 | 1B | 162 BPM | ||
| Last Train From Poor Valley | Norman Blake, Tony Rice | D Major | 1 | 10B | 159 BPM | ||
| Salt River | Norman Blake | E♭ Major | 6 | 5B | 136 BPM |