"Wallfisch: Lamorma" by Yuja Wang, Benjamin Wallfisch had its release date on January 1, 2013. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Summer in February (Original Motion Picture Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Wallfisch: Lamorma is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wallfisch: Lamorma by Yuja Wang, Benjamin Wallfisch having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Home Sweet Home | Pieter de Graaf | B♭ Major | 1 | 6B | 170 BPM | ||
| Dappled Light | Luke Howard, Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 0 | 3A | 129 BPM | ||
| Cross tempo | Andrea Guerra | A♭ Major | 0 | 4B | 82 BPM | ||
| Orfeo ed Euridice, Wq. 30: Melodie dell'Orfeo (Arr. Sgambati for Piano) | Yuja Wang | D♭ Minor | 1 | 12A | 80 BPM | ||
| Emma Woodhouse Was Born | Samuel Sim | G Minor | 1 | 6A | 128 BPM | ||
| Stars and Butterflies - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | G Major | 0 | 9B | 47 BPM | ||
| Nocturne No. 14 in G Major, H. 58 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| 49th Parallel Suite: Prelude | RTE Concert Orchestra, Ralph Vaughan Williams | G Major | 1 | 9B | 87 BPM | ||
| Salut d'Amour, Op. 12: Salut d'amour, Op. 12 | Edward Elgar, Nigel Kennedy, Peter Pettinger, Stephen Isserlis | D Major | 1 | 10B | 84 BPM | ||
| Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
| A Letter From Prison | Dario Marianelli | B♭ Major | 0 | 6B | 112 BPM | ||
| This Is Our Planet - From "Our Planet" | Steven Price | B♭ Major | 3 | 6B | 97 BPM | ||
| Thaïs: Méditation (Arr. for Cello & Piano) | Yo-Yo Ma, Kathryn Stott | E Minor | 1 | 9A | 86 BPM | ||
| Solo en Casa / La Llegada de Papá | Fernando Velázquez | A♭ Major | 1 | 4B | 78 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Une amitié | Philippe Rombi | C Major | 2 | 8B | 83 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| The Armed Man - A Mass For Peace: XII. Benedictus | Karl Jenkins | D Major | 0 | 10B | 90 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| The Painted Veil - From "The Painted Veil" Original Soundtrack | Alexandre Desplat, Lang Lang, Vincent Segal, Prague Symphony Orchestra | D♭ Major | 2 | 3B | 124 BPM | ||
| Waltz for Christine | Stacey Hersh | B Major | 2 | 1B | 101 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | G Major | 0 | 9B | 70 BPM | ||
| Deborah's Theme From "Once Upon A Time In America" | Chris Botti | E♭ Major | 1 | 5B | 100 BPM |