小林啓子, Billy Ban Ban's 'ドナ・ドナ' had a release date set for April 1, 1971. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ゴールデン・フォーク・ジャンボリー, so we believe that "ドナ・ドナ" is a single. ドナ・ドナ is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of ドナ・ドナ by 小林啓子, Billy Ban Ban is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 激しさは愛 | Masatoshi Nakamura | E Major | 5 | 12B | 114 BPM | ||
| いい娘だから | Yuzo Kayama | G Minor | 4 | 6A | 62 BPM | ||
| こころあたり | 小林啓子 | D Major | 5 | 10B | 108 BPM | ||
| Hisame | Masako Mori | F Minor | 4 | 4A | 79 BPM | ||
| 想い出が多すぎて | 高木麻早 | C Major | 4 | 8B | 120 BPM | ||
| 寒暖計 | 渡 哲也 | B♭ Minor | 5 | 3A | 98 BPM | ||
| 面影 | 水森かおり | G Minor | 4 | 6A | 104 BPM | ||
| Twinkle Talk (「七つの海のティコ」より) | 篠塚満由美 | E♭ Major | 4 | 5B | 83 BPM | ||
| 雨のヨコハマ | FeiFei Ou-Yang | A Minor | 5 | 8A | 73 BPM | ||
| 沫雪 | ふきのとう | E Minor | 2 | 9A | 100 BPM | ||
| 風の日のバラード | Yuko Nagisa | A Major | 3 | 11B | 105 BPM | ||
| サ・セ・パリ | Fubuki Koshiji | C Minor | 4 | 5A | 100 BPM | ||
| 19の秋 | Kozo Murashita | G Minor | 1 | 6A | 148 BPM | ||
| 朝刊 - 2016 Remaster | Grape | C Major | 5 | 8B | 109 BPM | ||
| 悲しい時には | Chiharu Matsuyama | A Major | 3 | 11B | 91 BPM | ||
| 時 代 | Junko Sakurada | D♭ Major | 4 | 3B | 122 BPM | ||
| 誰もいない海 | Toi et Moi | E♭ Major | 3 | 5B | 94 BPM | ||
| あの娘のために死ぬんだぜ | 渡 哲也 | F Minor | 4 | 4A | 107 BPM | ||
| 私の城下町 | Mineko Nishikawa | F♯ Minor | 4 | 11A | 98 BPM | ||
| リトル・グリーン・アップル | 小林啓子, ビリー・バンバン | D Major | 5 | 10B | 120 BPM | ||
| 別離(わかれ) | 岸洋子 | E Minor | 3 | 9A | 105 BPM | ||
| 哀愁のコニーアイランド | Momoe Yamaguchi | E Minor | 4 | 9A | 110 BPM | ||
| 涙から明日へ | Masaaki Sakai | A Major | 2 | 11B | 85 BPM | ||
| 白い色は恋人の色 | 小林啓子, ビリー・バンバン | B Minor | 2 | 10A | 86 BPM | ||
| あの頃のぼくは | Iruka | F Major | 4 | 7B | 87 BPM |