Gwyneth Herbert's 'At 17' had a release date set for January 1, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 13 in Bittersweet & Blue by Gwyneth Herbert. In terms of popularity, At 17 is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of At 17 by Gwyneth Herbert is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Somethin' Stupid | Inara George, Charlie Wadhams | D♭ Minor | 4 | 12A | 103 BPM | ||
| I'm on Fire | The Staves | D Major | 2 | 10B | 76 BPM | ||
| This House | Janette Mason, Gwyneth Herbert | E♭ Major | 5 | 5B | 132 BPM | ||
| I’ll Be Singing | Sinéad O'Connor | D Major | 3 | 10B | 206 BPM | ||
| Flight Attendant | Josh Rouse | B Minor | 4 | 10A | 120 BPM | ||
| Could We Survive | Joseph Arthur | C Major | 3 | 8B | 138 BPM | ||
| Senza Di Te | Fredo Viola | D♭ Major | 2 | 3B | 122 BPM | ||
| Catch Me | Nicole Gordon | B♭ Major | 2 | 6B | 74 BPM | ||
| Today Has Been OK | Emilíana Torrini | E♭ Major | 2 | 5B | 184 BPM | ||
| Heart's Content | Brandi Carlile | E♭ Major | 2 | 5B | 109 BPM | ||
| Would You Love Me If We Stayed Like This - Male Vocal | Songcraft | G Major | 4 | 9B | 124 BPM | ||
| The Hurting Time | Annie Lennox | E Major | 4 | 12B | 132 BPM | ||
| Over The Mountain, Across The Sea | Elise LeGrow | G Minor | 8 | 6A | 115 BPM | ||
| The Fire Thief | Hem | F♯ Major | 2 | 2B | 104 BPM | ||
| Love Was My Alibi | Kristoffer Fogelmark | D♭ Minor | 3 | 12A | 144 BPM | ||
| Faith's Song | Amy Wadge | B Major | 2 | 1B | 83 BPM | ||
| Never Tear Us Apart | Paloma Faith | C Major | 3 | 8B | 160 BPM | ||
| Picture In A Frame | Tom Waits | E♭ Major | 2 | 5B | 130 BPM | ||
| Sittin' by the Side of the Road | Andie MacDowell | B♭ Major | 3 | 6B | 129 BPM | ||
| In Focus - Banda Sonora Original De La Película "Te Quiero, Imbécil" | David Philips | D Major | 2 | 10B | 135 BPM | ||
| Once Upon a Time | Jay McShann | G Major | 2 | 9B | 72 BPM | ||
| Little Bird | Lisa Hannigan | B Major | 3 | 1B | 168 BPM | ||
| Sparkling Day | Elvis Costello | D Major | 4 | 10B | 96 BPM | ||
| Fighter (Episode 2) | Olivia Broadfield | B♭ Major | 2 | 6B | 120 BPM | ||
| Lay Lady Lay (with Gemma Hayes) | Magnet, Gemma Hayes | D Minor | 4 | 7A | 132 BPM |