- BPM
- 80
- Key
- C Major
- Camelot
- 8B
バレエ音楽「アパラチアの春」 by Aaron Copland, 上磯吹奏楽団 Song Details
"バレエ音楽「アパラチアの春」" by Aaron Copland, 上磯吹奏楽団 had its release date on January 22, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 全日本吹奏楽コンクール2019大学・職場・一般編, so we believe that "バレエ音楽「アパラチアの春」" is a single. バレエ音楽「アパラチアの春」 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of バレエ音楽「アパラチアの春」 by Aaron Copland, 上磯吹奏楽団 is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -20.181 dB
- Acousticness
- 95%
- Danceability
- 18%
- Energy
- 8%
- Instrumentalness
- 85%
- Liveness
- 30%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | |
 | English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | E♭ Major | 0 | 5B | 101 BPM | |
![Fra Holbergs tid, Op. 40: III. Gavotte (From Holberg's Time) [Version for Orchestra] by Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset](https://i.scdn.co/image/ab67616d00001e02209b553c5165f53a4a26f5be) | Fra Holbergs tid, Op. 40: III. Gavotte (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 1 | 9B | 122 BPM | |
 | Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | D♭ Major | 0 | 3B | 79 BPM | |
 | A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | |
 | Symphony No. 1, "Afro-american": Iv. Aspiration (Lento, con risoluzione) | William Grant Still, Fort Smith Symphony | F♯ Major | 0 | 2B | 141 BPM | |
 | Overture "A Midsummer Night's Dream", Op. 21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | |
 | Grand Canyon Suite: 2. The Painted Desert | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | B Minor | 0 | 10A | 129 BPM | |
 | The Tender Land Suite: I. Introduction and Love Music | Aaron Copland, Elgin Symphony Orchestra, Robert Hanson | D Major | 3 | 10B | 73 BPM | |
 | Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | |
 | Two Songs Without Words, Op. 22: I. Country Song | Gustav Holst, Richard Hickox, City of London Sinfonia | G Major | 0 | 9B | 82 BPM | |
 | The Song of the High Seas - 1992 Remastered | Robert Russell Bennett | G Minor | 1 | 6A | 71 BPM | |
 | Festive Overture Op.96 | Dmitri Shostakovich, Philharmonia Orchestra, Vladimir Ashkenazy | A Major | 4 | 11B | 80 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 2 | 9B | 115 BPM | |
 | Die Walküre: Magic Fire Music | Richard Wagner, George Szell, Cleveland Orchestra | G Major | 2 | 9B | 80 BPM | |
 | Piano Quintet in A Major, D. 667, Op. 114 "Trout": IV. Tema con variazioni | Franz Schubert, Yo-Yo Ma, Emanuel Ax, Pamela Frank, Edgar Meyer, Rebecca Young | G Major | 1 | 9B | 113 BPM | |
 | Symphony No. 9 in E Minor, Op. 95 "From the New World": Largo | Antonín Dvořák, Fritz Reiner | D♭ Major | 0 | 3B | 89 BPM | |
 | Symphonie espagnole, Op. 21: V. Rondo. Allegro | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | |
 | Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | |
 | The Firebird, K10, 1919 Suite: I. Introduction | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | G Minor | 0 | 6A | 85 BPM | |
 | Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 87 BPM | |
 | Florida Suite - I. Daybreak, Dance - Remastered 2022 | Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra | F Major | 1 | 7B | 79 BPM | |
 | Delius: On Hearing the First Cuckoo in Spring | Frederick Delius, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 81 BPM | |
 | Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | |
 | Rodeo: No. 4, Saturday Night Waltz | Aaron Copland, Colorado Symphony, Andrew Litton | E♭ Major | 0 | 5B | 68 BPM |
- ISRC
- JPKI01916532
- Label
- L-M Records/RCA Records