On February 10, 2025, the song "Tu Cancel Kare Mara Dil Ne-Vaat Nu Location" was released by Gopal Rathva. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vaat Nu Location by Gopal Rathva. The song's track number on the album is #1 out of 15 tracks. Based on our data, India was the country where this track was produced or recorded. Based on our statistics, Tu Cancel Kare Mara Dil Ne-Vaat Nu Location's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Tu Cancel Kare Mara Dil Ne-Vaat Nu Location by Gopal Rathva has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tu Cancel Kare Mara Dil Ne-Vaat Nu Location being at 126 BPM, the half-time would be 63 BPM with a double-time of 252 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Char Fera Fari Bar Varsh No Prem Bhuli | Rahul Thakor | A♭ Minor | 7 | 1A | 135 BPM | ||
| Koi Na Kare Aevu Mari Khunkhar Meldi Kare | Shakti Odhaviya, KHUNKHAAR MELDI BAREJA | B♭ Major | 8 | 6B | 135 BPM | ||
| Ghar No Mobhi | Dharmik Bamosana | E Major | 6 | 12B | 113 BPM | ||
| Naivtali Part 3 | Anil Piplaj, Sapna Pancholi | G Major | 9 | 9B | 140 BPM | ||
| Sritir Sosane | Shankar Tantubai | A♭ Minor | 7 | 1A | 135 BPM | ||
| Aamba Tave Dhol Vage Aambali Tave Firfirine Nache | Shantilal Ahire | A♭ Major | 10 | 4B | 144 BPM | ||
| Ladi Kitayali | Shankar Anare | A♭ Minor | 7 | 1A | 135 BPM | ||
| Mari Heroni Dangeli | Vishal Jamune | F♯ Minor | 10 | 11A | 135 BPM | ||
| O Mari Tameti P.t 1 | Prakash Solanki | B Major | 9 | 1B | 140 BPM | ||
| Janu Mali Chalu Part 4 | Gopal Rathva | G Major | 9 | 9B | 140 BPM | ||
| 2023 DJ Dhamal Part 5 | Govind Rathva, Gopal Rathva | G Major | 9 | 9B | 135 BPM | ||
| Mari Hironi | Subhash Waskel, Mahi Dawar | A♭ Minor | 7 | 1A | 135 BPM | ||
| Aaloo Mangaye Laye Gobhii | Satendra Gurjar Jarara | B Major | 10 | 1B | 108 BPM | ||
| Aaavi Goyu Siwayu Adivasi | Rakesh Dudwe | B♭ Major | 9 | 6B | 135 BPM | ||
| Kishan Rathva Express Part 2 | Kishan Rathva | F♯ Minor | 8 | 11A | 129 BPM | ||
| Huriyo Udave | Vishal Jamune | F♯ Major | 9 | 2B | 150 BPM | ||
| Jungle Ka Raja | Sanjay Kirade, Heena Dawar | E Minor | 7 | 9A | 130 BPM | ||
| Savariya Dj Aay Guya | Ramesh Mujhalda, Rahul Baghel, Sapna Pancholi | A♭ Major | 9 | 4B | 144 BPM | ||
| Kaya Nu Kalyan Karje Khodal Mata | Pintu Algotar | B♭ Minor | 9 | 3A | 190 BPM | ||
| Dil Kem Rade Tu Aena Mate | Rahul Thakor | C Minor | 9 | 5A | 150 BPM | ||
| Chal Bhagoriya Jata | Rakesh Dudwe | D♭ Minor | 9 | 12A | 140 BPM | ||
| Lal Lal Kesuda | ABK ROCK | G Major | 9 | 9B | 115 BPM | ||
| Nokri Ni Mali Juvanay-Tu To Hoyli Gaddar | Gopal Rathva, KK Rathva | F♯ Minor | 9 | 11A | 140 BPM | ||
| Ek Aankh Si Vo | Anandilal Bhavel | F♯ Major | 8 | 2B | 112 BPM | ||
| Teen Mahina Char Din Rayu Me Te Rayu Jail Ma | Vinod Dawar | G Major | 9 | 9B | 140 BPM |