"Psalm 102 "Hear My Prayer, O Lord"" by Roger R. Ross, Sir Ivor Algernon Atkins, Ely Cathedral Choir, David Price, Paul Trepte had its release date on January 9, 1993. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Psalms of David, Vol. 8: Praise the Lord O My Soul". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Psalm 102 "Hear My Prayer, O Lord" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 102 "Hear My Prayer, O Lord" by Roger R. Ross, Sir Ivor Algernon Atkins, Ely Cathedral Choir, David Price, Paul Trepte having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How Beautiful Upon the Mountains | John Stainer, Christ Church Cathedral Choir of Men and Boys, Indianapolis, Frederick Burgomaster | D Major | 0 | 10B | 110 BPM | ||
| Magnificat | Nazo Zakkak | A♭ Major | 10 | 4B | 98 BPM | ||
| Here is the Man | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 3 | 4A | 138 BPM | ||
| Joyous Wedding Bells | Laestadian Lutheran Church, Laurel Loukusa, Kaitlyn Huhta, Karen McAdams, Liisa Keranen | B Minor | 1 | 10A | 69 BPM | ||
| Psalm 148: Psalm CXLVIII | Thomas Attwood Walmisley, Michael Bloss, Choir of St John's, Elora, Noel Edison | B♭ Major | 1 | 6B | 82 BPM | ||
| Mass of the Transfiguration: III. Gospel Acclamation | Normand Gouin, David L. Ball, Diocesan Choir, Diocesan Children's Choir, Cathedral English Choir, Cathedral Schola, Cathedral Spanish Choir, Cathedral Vietnamese Choir, John A. Romeri | A Minor | 2 | 8A | 64 BPM | ||
| Songs of Love: III. I Sing Because | Will Todd, Christopher Finch, Wellensian Consort, Will Todd Ensemble | E Minor | 3 | 9A | 144 BPM | ||
| St. Venantius "Why, Impious Herod, Should'st Thou Fear" | Anonymous, Ely Cathedral Choir, Scott Farrell, Paul Trepte | D Major | 2 | 10B | 85 BPM | ||
| Lord, We Believe To Us And Ours | St. Michael's Singers | D Major | 3 | 10B | 104 BPM | ||
| Nicene Creed (Mass of St. Philip Neri) - Live | Paul Jernberg, Cor Unum Chorale | F Major | 3 | 7B | 77 BPM | ||
| Turn Your Eyes Upon Jesus | Cappella | D Major | 1 | 10B | 129 BPM | ||
| De Dag Door Uwe Gunst Ontvangen (Samenzang) [Live] | Christelijk Mannenkoor Soli Deo Gloria Urk, Jaap Kramer, Harm Hoeve | G Major | 1 | 9B | 136 BPM | ||
| Emmanuel | Andrew Wright, The Brentwood Cathedral Consort | G Minor | 1 | 6A | 83 BPM | ||
| Come, Risen Lord | Leo Sowerby, William Ferris Chorale, William Ferris | B♭ Major | 2 | 6B | 65 BPM | ||
| No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | ||
| Stichera After the Matins Gospel - Lesser Znamenny and New Skete | Archangel Voices | D Major | 1 | 10B | 119 BPM | ||
| Messa sesta pro defunctis: II. Te decet hymnus - Kyrie | Ignatio Donati, Gruppo madrigalistico del Conservatorio di Como, Schola cantorum del Conservatorio di Como, Antonio Eros Negri, Coro Polifonico del Conservatorio di Como | F Major | 3 | 7B | 81 BPM | ||
| O Lord, Be Gracious Unto Us | Drew Roth, Cantate Domino, Seth Bergey | D♭ Major | 1 | 3B | 134 BPM | ||
| Stabat Mater (Arr. for Choir by Edward Elgar) | Anonymous, The Chapel Choir of the Royal Hospital Chelsea, William Vann | B Minor | 3 | 10A | 80 BPM | ||
| Yen Guankobea (Psalm 90) [Osei Boateng] | VocalEssence Chorale | B♭ Major | 6 | 6B | 115 BPM | ||
| The Secret of Christ | Richard Shephard, Jason Klein-Mendoza, All Saints' Choir, Craig Phillips | G Major | 1 | 9B | 93 BPM | ||
| Lord, For Thy Tender Mercies Sake | Faith Builders Chorale, Brandon Mullet | E Major | 1 | 12B | 73 BPM | ||
| All shall be Amen and Alleluia | James Whitbourn, Westminster Williamson Voices, Jacob Ezzo, Jonathan Palmer Lakeland, Ken Cowan, James Jordan | C Major | 2 | 8B | 75 BPM | ||
| Psalm 91B (Who with God Most High Finds Shelter) | Trinity Psalter Hymnal | D Major | 1 | 10B | 114 BPM | ||
| The Crucifixion: Chorus. The Appeal of the Crucified | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | E Major | 0 | 12B | 122 BPM |