- BPM
- 92
- Key
- E♭ Major
- Camelot
- 5B
En blanc et noir: I. Avec emportement (Arr. R. Holloway for orchestra) by Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル Song Details
"En blanc et noir: I. Avec emportement (Arr. R. Holloway for orchestra)" by Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル had its release date on May 3, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 16 in Debussy: Orchestral Works, Vol. 6 by クロード・ドビュッシー, Jun Markl, 準・メルクル. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, En blanc et noir: I. Avec emportement (Arr. R. Holloway for orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of En blanc et noir: I. Avec emportement (Arr. R. Holloway for orchestra) by Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 7%
- Loudness
- -19.562 dB
- Acousticness
- 94%
- Danceability
- 24%
- Energy
- 13%
- Instrumentalness
- 85%
- Liveness
- 11%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 19%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Deux Arabesques, L. 66: No. 1 in E Major. Andantino con moto | Claude Debussy, Alain Planès | E Major | 1 | 12B | 111 BPM | |
 | Symphony in B Minor (arr. T. Finno for orchestra): Ii. Un poco lento, cantabile | Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル | E♭ Major | 1 | 5B | 92 BPM | |
 | 5 Pieces, Op. 75, "The Trees": No. 5 Granen (The Spruce) | Jean Sibelius, Håvard Gimse | D Major | 0 | 10B | 68 BPM | |
 | Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | B♭ Major | 0 | 6B | 72 BPM | |
 | Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM | |
 | Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Menahem Pressler | D♭ Major | 0 | 3B | 109 BPM | |
 | Carnival of the Animals, R. 125: The Swan | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | G Major | 0 | 9B | 118 BPM | |
 | Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) | Robert Schumann, Miloš Karadaglić | D Major | 0 | 10B | 81 BPM | |
 | Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | |
 | Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | |
| 5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM | |
 | Gymnopedie No 1 | Francis Poulenc | E Minor | 1 | 9A | 89 BPM | |
 | 4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | |
 | The French Library | Franz Bengtsson, Franz Gordon | E♭ Major | 0 | 5B | 70 BPM | |
 | Je te veux | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 103 BPM | |
 | Claire De Lune - Debussy | Michael Charles Clark | D♭ Major | 1 | 3B | 63 BPM | |
 | 7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | B Major | 0 | 1B | 72 BPM | |
 | Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U 110 "Venetianisches Gondellied" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | |
 | Gymnopédie No. 2 | Erik Satie, Philippe Entremont | D Minor | 0 | 7A | 67 BPM | |
 | 4 Piano Pieces, Op. 119: No. 1, Intermezzo in B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | |
 | La lisonjera, Op. 50 | Cécile Chaminade, Péter Nagy | D♭ Major | 1 | 3B | 132 BPM | |
 | In Paradisum | Gabriel Fauré, Hayato Sumino | A Minor | 0 | 8A | 98 BPM | |
 | Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | |
 | Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM |
- ISRC
- HKI191028111
- Label
- L-M Records/RCA Records