Nadia Reid's 'Holy Low' had a release date set for November 28, 2014. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nadia Reid's "Listen to Formation, Look for the Signs" album is number 4 out of 10. On top of that, New Zealand appears to be the country where this track was created. In terms of popularity, Holy Low is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holy Low by Nadia Reid to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Human Thing | The Be Good Tanyas | A♭ Major | 2 | 4B | 145 BPM | ||
| All The Pretty Horses | Laura Gibson | F Minor | 5 | 4A | 168 BPM | ||
| The Black Oak | Emily Jane White | C Major | 2 | 8B | 180 BPM | ||
| I Was A Fool | Laura Veirs | E♭ Major | 1 | 5B | 95 BPM | ||
| gut health | Pem | F♯ Major | 2 | 2B | 75 BPM | ||
| Zigzag to the Sea | The Glass Hours | G Major | 1 | 9B | 83 BPM | ||
| Sweet Mellow D | Danika | B♭ Minor | 4 | 3A | 78 BPM | ||
| Goldrush | Mynolia | D Major | 3 | 10B | 93 BPM | ||
| Better Weather | Danika | E♭ Minor | 3 | 2A | 96 BPM | ||
| Silent Passage | Marlon Williams | A Major | 3 | 11B | 116 BPM | ||
| no way blues | Rachel Sermanni | A♭ Major | 3 | 4B | 92 BPM | ||
| Best Thing | Nadia Reid | A♭ Major | 4 | 4B | 116 BPM | ||
| It Hurts Me Too | Karen Dalton | A Major | 1 | 11B | 181 BPM | ||
| For My Crimes | Marissa Nadler | G Minor | 3 | 6A | 73 BPM | ||
| The Fading | Joan Shelley | A Major | 2 | 11B | 89 BPM | ||
| Greasy Goose | This Is The Kit | G Major | 1 | 9B | 150 BPM | ||
| Tiger Mountain | Tiny Vipers | A Major | 0 | 11B | 135 BPM | ||
| Cormorant Bird | Fionn Regan | F♯ Minor | 2 | 11A | 100 BPM | ||
| Fifty Five Falls | Marissa Nadler | G Major | 2 | 9B | 184 BPM | ||
| Seven Yellow Gypsies | Kacy & Clayton | D Major | 4 | 10B | 172 BPM | ||
| All of My Love | Nadia Reid | D♭ Major | 2 | 3B | 58 BPM | ||
| Five, Four | Basia Bulat | E Minor | 5 | 9A | 165 BPM | ||
| Far Away | Martha Wainwright | G Major | 4 | 9B | 127 BPM | ||
| Mine | Raoul Vignal | C Minor | 5 | 5A | 156 BPM | ||
| Everything Everything | Indigo Sparke | A Minor | 2 | 8A | 119 BPM |