P. Bhanumathi's ' "Naan Kanda Kovil" was released on its scheduled release date, December 31, 1959. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Naan Kanda Kovil's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Nala Dhamayanthi". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Based on our statistics, Naan Kanda Kovil's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Naan Kanda Kovil by P. Bhanumathi having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Palanniappa Gnana Palam Nee | K. B. Sundarambal, Kannadasan | E♭ Major | 9 | 5B | 91 BPM | ||
| Devan Koyil | Sirkazhi Govindarajan | C Minor | 7 | 5A | 92 BPM | ||
| Hrudayamane Kovelalo | Madhavapeddi Ramesh | C Minor | 5 | 5A | 115 BPM | ||
| Pilichina Biguvataraa | P. Bhanumathi, Ghantasala | A Minor | 2 | 8A | 90 BPM | ||
| Megame Megame | Vani Jairam | A♭ Minor | 5 | 1A | 82 BPM | ||
| Vannaththamizh - Duet | C. S. Jayaraman, L. R. Eswari | C Minor | 5 | 5A | 117 BPM | ||
| Indukala Mouli | P. Madhuri | D Major | 6 | 10B | 78 BPM | ||
| Yellaru Maduvudu | Dr. Rajkumar, T.G. Lingappa, Kanaka Daasaru | F Minor | 5 | 4A | 156 BPM | ||
| Onnume Puriyale | J. P. Chandrababu, K.D. Santhanam | E Major | 2 | 12B | 135 BPM | ||
| Gova Mambazhamae | J. P. Chandrababu, Durai Raj, C. R. Subburaman | G Major | 3 | 9B | 123 BPM | ||
| Hari Namave Chanda / Dialogue : Namba Thai (Bhaktha Kumbara) - Bhaktha Kumbara / Soundtrack Version | Various Artists | E Minor | 7 | 9A | 109 BPM | ||
| Yennarugae Neeyirundhal | P. B. Sreenivas | B♭ Major | 5 | 6B | 114 BPM | ||
| Polladha Madhana Paanam | Mahalakshmi Iyer, Anubama Deasbande | A Major | 5 | 11B | 118 BPM | ||
| Nenjam Marappathillai (From "Nenjam Marappathillai") | P. Susheela | E♭ Major | 3 | 5B | 104 BPM | ||
| Devudu Chesina | Ghantasala | B Minor | 6 | 10A | 89 BPM | ||
| Gangai Karai Mannanadi | Ilaiyaraaja, K. J. Yesudas | D♭ Major | 5 | 3B | 107 BPM | ||
| Aasaiyum Nesamum | Jamuna Rani | G Minor | 3 | 6A | 134 BPM | ||
| Malarendra Mugamondru | L. R. Eswari, M.S.Raju | E♭ Major | 5 | 5B | 89 BPM | ||
| Nisha Surabhikal | P. Jayachandran | B♭ Major | 4 | 6B | 111 BPM | ||
| Kaalam Siridhu | Jamuna Rani | B♭ Major | 5 | 6B | 79 BPM | ||
| Pambarakkannale | J. P. Chandrababu, K.D. Santhanam | E Major | 3 | 12B | 126 BPM | ||
| Manmatha Leelayai | M. K. Thyagaraja Bhagavathar | B Major | 4 | 1B | 94 BPM | ||
| Tharakaroopini | K. P. Brahmanandan | B Minor | 5 | 10A | 77 BPM | ||
| Neela Nayanangalil | K. J. Yesudas, P. Susheela | G Major | 6 | 9B | 125 BPM | ||
| Pottri Paadadi Ponneh | Sivaji Ganesan, Sruthai Kamalahasan | A Minor | 0 | 8A | 162 BPM |