"El Garaje" by Alejandro Amenábar had its release date on April 12, 1996. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Tesis (Original Motion Picture Soundtrack)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Spain. In terms of popularity, El Garaje is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With El Garaje by Alejandro Amenábar having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Excentricidades | Almas Paralelas | F♯ Minor | 2 | 11A | 76 BPM | ||
| Deep Cover | Jordan Clark, Jokardon | C Major | 3 | 8B | 130 BPM | ||
| Verdict | Nico Muhly | A♭ Major | 1 | 4B | 70 BPM | ||
| Ellis Island | Thomas Newman | D♭ Major | 1 | 3B | 76 BPM | ||
| Respect of a New Day | Ernesto Vallini, Neon Lilith, Belinda J Crossward | D♭ Minor | 4 | 12A | 88 BPM | ||
| You're Such A Hazard | Lorne Balfe, Joshua Pacey | C Minor | 0 | 5A | 66 BPM | ||
| Look At That Beautiful Face | Mark Isham | A Major | 1 | 11B | 155 BPM | ||
| Words Will Prevail | Thomas Wander, Harald Kloser | B♭ Major | 1 | 6B | 120 BPM | ||
| Fases Nuevas | Nimetas | G Minor | 3 | 6A | 77 BPM | ||
| Dias Dorados | Las Eternas | F Major | 2 | 7B | 95 BPM | ||
| Tsuyako | Pakk Hui | F Major | 2 | 7B | 80 BPM | ||
| El olivo, Pt. 1 | Pascal Gaigne | A Minor | 2 | 8A | 121 BPM | ||
| She Had Your Child | Thomas Wander, Harald Kloser | C Minor | 0 | 5A | 138 BPM | ||
| Don Beltrán | Federico Jusid, Orquesta Sinfónica de Budapest Eastconnection | E Minor | 2 | 9A | 127 BPM | ||
| Escasa Movilidad | Las Eternas | B Minor | 1 | 10A | 140 BPM | ||
| Zonas de Paso | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| I Hate a Liar | Marcelo Zarvos | D♭ Major | 1 | 3B | 171 BPM | ||
| Deborah's Theme #4 | Solisti e Orchestre del Cinema Italiano | E♭ Major | 2 | 5B | 78 BPM | ||
| Kullervo's Lament | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | G Major | 2 | 9B | 136 BPM | ||
| Analisis Superficiales | Las Guerreras | E♭ Minor | 0 | 2A | 119 BPM | ||
| Relationship | Turgut Kazimov, Tourgut | D Major | 3 | 10B | 180 BPM | ||
| Prism | Nereano | G Minor | 2 | 6A | 78 BPM | ||
| Sin Cometidos | Bellum Sanctus | B♭ Minor | 2 | 3A | 120 BPM | ||
| Retrocediendo Demasiado | Casualidades Del Destino | C Major | 3 | 8B | 78 BPM | ||
| Una mano en la ventana | Alejandro Amenábar | A Minor | 2 | 8A | 128 BPM |